In the latest news regarding Usher, ahead of his Super Bowl Half Time show, he addressed rumors about babysitting Beyoncé on Shannon Sharpe’s podcast Club Shay Shay. Usher clarified he never served as Beyoncé’s nanny but supervised her and others at musician Daryl Simmons’ house. Reflecting on his role, he emphasized he wasn’t a nanny but oversaw them as a teenager. This follows Usher’s mention last year of knowing Beyoncé when she was part of The Dolls. Usher affirmed his belief in Beyoncé’s future success and highlighted their collaborations over the years, including performances and songs like
Tyler Perry is a TV and film giant with his own studio complex in Atlanta [GETTY IMAGES]
Acclaimed US film and TV mogul Tyler Perry delays $800m (£630m) expansion of his studio due to apprehensions surrounding emerging AI technology.’
Tyler Perry, a respected figure in the film and TV industry, has made the decision to postpone the planned expansion of his Atlanta studio by adding 12 sound stages. His concerns stem from the recent introduction of OpenAI’s video generator, Sora.
Expressing his worries, Perry, aged 54, fears that the advancement of artificial intelligence will result in a significant loss of jobs within the film industry. In an interview with the Hollywood Reporter, he described the capabilities of Sora as “shocking.”
As a result of witnessing the demonstrations and realizing the extent of Sora’s capabilities, Perry has decided to halt all progress on the expansion plans, emphasizing that the decision is indefinite.
While he had heard about the development of this technology over the past year, it was not until recently that he truly comprehended its potential impact. Perry expressed his astonishment at what he had observed, stating, “It’s shocking to me.”
It’s important to note that Sora, created by the same company responsible for ChatGPT, has been released in a limited manner this month and is not yet available for public use.
Perry works closely with Oprah Winfrey [GETTY IMAGES]
OpenAI’s CEO engaged with their followers on the social media platform X (formerly known as Twitter), accepting requests and using them to create videos that showcased the remarkable capabilities of the technology.
Despite having limited resources and only a few text prompts to work with, the AI system was able to generate realistic video content, reaching up to one minute in duration. This demonstration highlighted the impressive potential of the technology in generating lifelike footage.
‘Very, very concerned’
Perry expressed astonishment at the capabilities of technology, suggesting that it could potentially render traveling to locations and constructing physical sets unnecessary. He found it surprising that he could accomplish tasks using a computer from the comfort of an office. However, he also voiced concerns about the potential job losses this technological advancement could entail, particularly for actors, editors, sound specialists, and transporters. Perry emphasized his worry for the livelihoods of those involved in the industry.
Perry shared his personal experience of using AI on set to portray an older version of himself in a scene, which eliminated the need for hours of aging makeup. The use of AI in the industry has already sparked discussions and was a significant point of contention during the 2023 Hollywood strikes. Writers expressed concerns about their jobs being replaced by AI, while actors worried about being substituted on set by the technology.
Although an agreement was eventually reached between studios and Hollywood workers, Perry believes that the entire industry needs to unite to safeguard people’s livelihoods. He emphasized the necessity for collective action and collaboration to protect the future of the industry, as it undergoes rapid transformations right before everyone’s eyes. Perry’s call was for all stakeholders to come together and address the challenges posed by advancing technology.
Ian Ousley, Gordon Cormier, Kiawentiio and Dallas Liu at The Last Airbender premiere [GETTY IMAGES]
Netflix’s latest live-action release, Avatar: The Last Airbender, elicits a range of critical opinions.’
The eight-part series serves as a reinterpretation of the beloved animated fantasy series of the same name originally created by Michael Dante DiMartino and Bryan Konietzko.
Although both DiMartino and Konietzko initially joined forces with Netflix for the live-action adaptation, they departed from the project before its completion.
Regrettably, the 2024 remake, helmed by Albert Kim, has been received with mixed reviews. Variety described it as a “beautifully crafted disappointment.”
Critic Aramide Tinubu acknowledged that the series managed to avoid the flaws of another adaptation, the 2010 film The Last Airbender directed by M. Night Shyamalan. However, Tinubu noted that fans may have preferred if Netflix had left DiMartino and Konietzko’s original masterpiece untouched.
Tinubu further commented that while the show’s visuals and the inclusion of Asian and Indigenous actors added authenticity to the series, the majority of the cast’s performances fell short when it came to effectively conveying the weight of the narrative. Many portrayals lacked the necessary depth of emotion required to carry a show that delves into themes of genocide, war, and totalitarianism.
It is important to note that the concerns raised about the remake are separate from the success of the original Avatar film, which remains the highest-grossing film ever made. Despite the mixed reception, the series still holds appeal for fantasy enthusiasts.
Canadian actor Gordon Cormier plays lead character Aang [GETTY IMAGES]
Without revealing too much, the series follows a captivating premise set in a world divided into four distinct kingdoms, each associated with the elements of fire, earth, water, and air. In these kingdoms, individuals known as “benders” possess the ability to manipulate and wield these elements as a form of extraordinary power.
The story revolves around the main characters, including 12-year-old Aang portrayed by Gordon Cormier, who joins forces with 14-year-old Katara (Kiawentiio) and her older brother Sokka (Ian Ousley) on a mission to save their respective kingdoms.
Jack Seale from The Guardian offered a more positive perspective, assigning the series a commendable four-star rating. Seale praised the vibrant landscapes, the awe-inspiring presence of a colossal six-legged flying bison that gracefully transports characters through the clouds, and the impressive performances delivered by the youthful cast.
Seale expressed confidence in the Airbender franchise, suggesting that this revival marks just the beginning of its journey, implying that there is more to come from this captivating world.
‘Rather drab and thinly sketched’
However, Empire’s Kambole Campbell offered a more critical perspective, granting the series a modest two-star rating. Campbell expressed disappointment that the show veered away from the original’s animated charm and dynamic presentation, opting instead for a more serious and somber fantasy approach. According to Campbell, the series presents a lackluster and thinly developed spin on familiar themes of oppression and rebellion. Furthermore, despite each episode having an hour-long duration, Campbell found the show to be simultaneously too long and too short, leaving an unsatisfying impression.
Anita Singh from The Telegraph provided a middling review, awarding the series a three out of five-star rating. Singh described it as solid entertainment, characterized by fast-paced action, well-executed fight scenes, and commendable performances, all made possible by Netflix’s substantial budget. However, Singh cautioned against expecting subtlety, as the series targets a younger audience, resulting in broadly drawn characters and plotlines. Singh shared that she watched the series with her own children, who provided their own review, stating that it was good but not on par with SpongeBob SquarePants.
It’s important to consider the diverse range of opinions expressed by critics, highlighting both positive and negative aspects of the series, ultimately leaving room for individual interpretation and preferences.
‘The acting is wooden’
(L-R) Paul Sun-Hyung Lee, Daniel Dae Kim, Ken Leung, Kiawentiio, Gordon Cormier, Ian Ousley, Dallas Liu and Elizabeth Yu at the show’s premiere [GETTY IMAGES]
While the majority of reviews have found some positive aspects in the show, the same cannot be said for Vulture’s Jackson McHenry’s review. McHenry expressed numerous criticisms, stating that the live-action series had significant flaws right from the start. He highlighted wooden acting, lackluster writing, garish costumes, an annoyingly monotonous score, and a visual appearance that seemed dull and murky. McHenry found the hour-long premiere to be particularly unexciting and tedious, struggling to maintain interest and lacking the enthusiasm to continue watching the remaining seven episodes. He likened the experience to receiving a mundane homework assignment, which he considered an unfortunate fate for a series based on a beloved Nickelodeon kids’ cartoon.
On the other hand, Paul Tassi of Forbes took a more positive stance. Tassi acknowledged that the series was not on par with its animated predecessor, but praised the evident passion and love displayed by the cast and crew towards the source material. He likened the endeavor to painting the Mona Lisa with colored pencils—while it may be impressive in its own right, it is a different medium that cannot match the original masterpiece. Despite skepticism, including his own as a fan of the original series, Tassi admitted that Netflix’s Avatar: The Last Airbender surpassed his expectations, and by the end, he genuinely enjoyed it.
It’s evident that opinions regarding the series vary, with some reviewers highlighting significant flaws and dullness, while others acknowledge the dedication of the production team and find enjoyment in the show despite its differences from the animated series.
Renner said the past year had been “a heck of a journey” as he presented the first award of the ceremony [GETTY IMAGES ]
Actor Jeremy Renner Receives Rapturous Reception at People’s Choice Awards, Triumphing Over a Year of Recovery from a Horrific Snow Plough Accident
Actor Jeremy Renner Receives Heartwarming Applause at the People’s Choice Awards, Overcoming a Challenging Journey of Recovery from a Snow Plough Accident
With immense resilience and determination, Jeremy Renner, known for his role as Hawkeye, triumphantly returned to the stage at the People’s Choice Awards after enduring a harrowing accident involving his own snow plough last January, resulting in over 30 broken bones.
As he graced the stage on Sunday’s ceremony, Renner expressed his gratitude, stating, “I’ve got to say, it feels good to be back.” The audience, including his fellow Marvel star Tom Hiddleston, honored him with a standing ovation, which deeply touched the actor. Moved by the enthusiastic response, Renner acknowledged, “The fans rock, I’ll tell you what. This year’s been a heck of a journey, and I’m happy to be here with you, the fans. You guys are the best.”
During the event, Renner also had the honor of presenting the TV performance of the year award to Billie Eilish for her exceptional work in the comedy horror show Swarm.
Renner’s fellow Marvel star Tom Hiddleston greeted him after Renner had presented the award [GETTY IMAGES ]
The People’s Choice Awards, hosted by another Marvel star, Simu Liu from Shang-Chi, welcomed Renner with great excitement. Liu’s introduction celebrated Renner’s return, expressing immense joy at having him back at the event. He urged the audience to make as much noise as possible, demonstrating their unwavering support for Jeremy Renner.
In a recent interview with Entertainment Tonight, Renner shared insights into his recovery journey, revealing that he had made significant progress, accomplishing about 90% of the necessary tasks. He emphasized that recovery is an ongoing process, intertwined with his commitment to health and wellness. Looking forward, Renner expressed enthusiasm about constantly improving, growing stronger, and embracing a happier, healthier life.
People’s Choice Awards: in Pictures
Billie Eilish won TV performance of the year for her work on Swarm [REUTERS ]Ice Spice (left) won new artist of the year, while Rachel Zegler was named best action movie star [REUTERS ]America Ferrera won movie performance of the year for Barbie, which also won best movie[GETTY IMAGES ]The Little Mermaid star Halle Bailey and Euphoria’s Sydney Sweeney also attended the event in Santa Monica, California [REUTERS ]Loki, starring Tom Hiddleston (left), won best sci-fi show, while Shang-Chi’s Simu Liu hosted the ceremony [GETTY IMAGES ]
The winners in full:
Movie of the Year: Barbie
Action Movie of the Year: The Hunger Games: The Ballad of Songbirds & Snakes
Comedy Movie of the Year: Barbie
Drama Movie of the Year: Oppenheimer
Male Movie Star of the Year: Ryan Gosling (Barbie)
Female Movie Star of the Year: Margot Robbie (Barbie)
Action Movie Star of the Year: Rachel Zegler (The Hunger Games: The Ballad of Songbirds & Snakes)
Comedy Movie Star of the Year: Jennifer Lawrence (No Hard Feelings)
Drama Movie Star of the Year: Jenna Ortega (Scream VI)
Movie Performance of the Year: America Ferrera (Barbie)
TV Show of the Year: Grey’s Anatomy
Comedy Show of the Year: Only Murders in the Building
Drama Show of the Year: The Last of Us
Sci-Fi/Fantasy Show of the Year: Loki
Reality Show of the Year: The Kardashians
Competition Show of the Year: The Voice
Bingeworthy Show of the Year: The Summer I Turned Pretty
Male TV Star of the Year: Pedro Pascal (The Last of Us)
Female TV Star of the Year: Selena Gomez (Only Murders in the Building)
Comedy TV Star of the Year: Jeremy Allen White (The Bear)
Drama TV Star of the Year: Jennifer Aniston (The Morning Show)
TV Performance of the Year: Billie Eilish (Swarm)
Reality TV Star of the Year: Khloé Kardashian (The Kardashians)
Competition Contestant of the Year: Ariana Madix (Dancing with the Stars)
Daytime Talk Show of the Year: The Kelly Clarkson Show
Nighttime Talk Show of the Year: The Tonight Show Starring Jimmy Fallon
Host of the Year: Jimmy Fallon (That’s My Jam)
Male Artist of the Year: Jung Kook
Female Artist of the Year: Taylor Swift
Male Country Artist of the Year: Jelly Roll
Female Country Artist of the Year: Lainey Wilson
Male Latin Artist of the Year: Bad Bunny
Female Latin Artist of the Year: Shakira
Pop Artist of the Year: Taylor Swift
Hip-Hop Artist of the Year: Nicki Minaj
R&B Artist of the Year: Beyoncé
New Artist of the Year: Ice Spice
Group/Duo of the Year: Stray Kids
Song of the Year: “Vampire” by Olivia Rodrigo
Album of the Year: “Guts” by Olivia Rodrigo
Collaboration Song of the Year: “Barbie World” by Nicki Minaj & Ice Spice with Aqua
Concert Tour of the Year: Taylor Swift: The Eras Tour
Social Celebrity of the Year: Taylor Swift
Comedy Act of the Year: “Selective Outrage” by Chris Rock
Bafta Film Awards proved to be an unforgettable evening, with one standout star shining brightly among the winners. Oppenheimer, a mesmerizing film that captivated audiences and critics alike, claimed well-deserved recognition during the ceremony.
Bafta behind the scene : David Tennant’s Canine Companion, Barry Keoghan’s Sophie Ellis-Bextor Fan Moment, and Da’Vine Joy Randolph’s Flirtatious Encounter with Chiwetel Ejiofor: Unforgettable Highlights from the Ceremony.
Bring on the Anglophiles
Robert Downey Jr won best supporting actor for his role in Oppenheimer bafta awards [GETTY IMAGES]
Lack of British Male Nominees and Rosamund Pike’s Perspective: Bafta Celebrates International Talent
This year’s Bafta awards saw an absence of British male nominees in the Best Actor and Supporting Actor categories. Rosamund Pike, a nominee for Best Supporting Actress, expressed her lack of faith in British people rallying around their own on the red carpet but expressed her delight in being nominated.
However, the presence of international stars like Emma Stone and Robert Downey Jr. brought a wave of appreciation from across the pond. Stone, who won Best Actress for her role in “Poor Things,” thanked her dialect coach during her acceptance speech, highlighting the challenges of mastering an English accent. She also learned a new British slang term, “having a chinwag,” backstage.
War Horse
Adding to the transatlantic connection, comedian and actor Keegan-Michael Key presented an award entirely in an English accent, showcasing his versatility. Downey Jr., the recipient of the Best Supporting Actor award, credited Oppenheimer director Christopher Nolan’s “British sensibility” as a contributing factor to his success.
Another US star, Da’Vine Joy Randolph, showcased her passion for British culture. With roots in London’s West End and training at the British American Drama Academy in Oxford, Randolph expressed her deep appreciation for British theater. She recalled being profoundly moved by the production of “War Horse” at the National Theatre, a transformative experience that led her to pursue a career in the UK.
The Bafta awards celebrated the international nature of talent, showcasing the influence and cross-cultural connections between the British and American entertainment industries.
More Da’Vine Joy
,Da’Vine seemed thrilled with her new companion[GETTY IMAGES]
Earlier in the evening, the talented actress took the stage to accept her well-deserved award for Best Supporting Actress, honoring her portrayal of the grieving mother, Mary, in the film “The Holdovers.”
In a delightful moment, as she approached the stage to receive the prize from acclaimed actor Chiwetel Ejiofor, she couldn’t resist complimenting him, saying, “You’re so handsome.” Indeed, Ejiofor looked impeccable in a timeless black tuxedo by Lanvin.
Her emotions overflowed as she expressed her gratitude for her co-star, Paul Giamatti, and once more when she spoke about the depth of her character. With heartfelt sincerity, she acknowledged the countless Marys throughout history who never had the opportunity to grace a stage in London, wearing a beautiful gown. She acknowledged the weighty responsibility she felt in portraying Mary’s story, a responsibility she did not take lightly. Her words resonated deeply, evoking emotions in the audience, and many found themselves welling up alongside her.zAdding a touch of humor, she later brought laughter to journalists when she playfully used a well-known British word beginning with ‘b’ in response to a question about the unconventional decision to release “The Holdovers” in the UK in January, despite its Christmas setting. The word choice brought lightness and amusement to the conversation, leaving no doubt as to the word’s meaning and eliciting joyous laughter from those present.
Shout-out to the Oppenhomies
In a memorable moment, Best Actor winner Cillian Murphy left his teenage sons cringing as he affectionately referred to his colleagues as “Oppenhomies” during his acceptance speech—a gesture that delighted the audience.
Notably, Murphy became the first Irish-born performer to receive the prestigious Best Actor Bafta award. Expressing his immense pride, he shared, “As a proud Irishman, this means a great deal to me.” He went on to express his gratitude for the overwhelming support he received, with people approaching him on the streets, claiming to have seen his film “Oppenheimer” multiple times—five, six, or even seven times. Murphy humbly acknowledged the impact of such dedication, finding it both humbling and inspiring. He concluded by celebrating the remarkable year that cinema had witnessed.
Considering the film’s lengthy runtime of three hours, the idea of watching it six or seven times might indeed be a bit too much for most.
Tennant triumph
David Tennant also brought along doggy accessories [GETTY IMAGES]
This year, host David Tennant charmed audiences with his infectious enthusiasm and a genuinely funny script, proving to be an all-round success. His natural charisma captivated viewers, and his ability to infuse humor into the event was widely appreciated. Notably, Tennant’s fashion choices stood out, as he fearlessly sported a combination of kilt, sporran, and sparkly epaulettes—a unique ensemble that only a few could carry off with such flair.
Adding to the delightful atmosphere, Tennant brought a furry companion to the Baftas—a dog named Bark Ruffalo, cleverly playing on the canine theme that has been prevalent throughout this awards season. This playful touch added an extra dose of charm to the event, reminiscent of the dog from “Anatomy of a Fall” who made an appearance at the Oscars luncheon the previous week.
Tennant’s humor extended to the audience as well. He playfully referred to Margot Robbie and Ryan Gosling as the “Barbie crew,” introducing them as the camera panned to their stunning presence. The mention of “the ugly corner” added a humorous twist to the glamorous setting. As a fitting conclusion, Tennant signed off the show with the iconic line, “Come on Barbie, let’s go party,” leaving a lasting impression and providing another memorable highlight of the evening.
Michael J Fox was a moment
Despite not being on the confirmed guest list ahead of the awards, the presence of Back to the Future legend Michael J. Fox as a presenter for the Best Picture award was an exhilarating surprise. The audience erupted in a standing ovation for the beloved star, who has been battling Parkinson’s disease since his diagnosis at the young age of 29. Given his rare public appearances, seeing him on the stage was truly a thrill.
In the years since his diagnosis, now at the age of 62, Fox has become a dedicated advocate for Parkinson’s research. Through The Michael J. Fox Foundation, he has raised millions of dollars for research into finding a cure and has worked tirelessly to raise awareness about the disease. His commitment and resilience resonate deeply with people around the world.
The impact of Fox’s appearance was palpable, reaching beyond the confines of the Baftas ceremony. Many individuals took to social media, sharing how his presence on stage moved them to tears. It served as a poignant reminder of his enduring spirit and his unwavering dedication to making a difference in the lives of those affected by Parkinson’s disease.
Saltburn’s night was bittersweet
,Sophie Ellis-Bextor performed with a troupe of voguing dancers [ GETTY IMAGES ]
Emerald Fennell’s Thriller Dominates Headlines, Sophie Ellis Bextor Adds Sparkle
Despite not winning any of its five nominations, Emerald Fennell’s twisted thriller continued to make waves and dominate headlines at the Baftas. One standout moment was when Sophie Ellis Bextor took the stage to perform her hit song “Murder on the Dancefloor.” The 2002 track experienced a resurgence in popularity after being featured in the film’s notorious final scene, where Barry Keoghan’s character, Oliver, dances unclothed around his grand estate.
Fortunately, Keoghan opted not to re-enact his character’s performance and remained comfortably seated. However, the camera did capture his enjoyment of the energetic performance, providing a glimpse of his enthusiastic response. The combination of Fennell’s captivating film and Ellis Bextor’s lively performance added an extra layer of excitement to the evening, ensuring that the film’s presence lingered in the minds of both attendees and viewers alike.
Hugh Grant’s deadpan delight
Rhyme and Serious Themes at the Baftas: Grant’s Playful Presentation and Thought-Provoking Winners
Hugh Grant, despite facing some initial criticism for his role as an Oompa-Loompa in the hit film “Wonka,” delighted the audience with a rhyming presentation as he announced the Best Director award. In keeping with his character, Grant playfully recited, “Oompa-Loompa, doompity-dee, now the best director categor-ee, Oompa Loompa doompity-dong, most of these films were frankly too long, Oompa Loompa doompity daa, but for some reason, the nominees are…” His lighthearted approach added an element of charm to the ceremony.
War in the spotlight
However, amidst the fun and frivolity, the Baftas also delved into serious themes. “The Zone of Interest” emerged as a standout, winning three awards, including Outstanding British Film. The chilling story revolves around the head of Auschwitz, who resides next to the death camp with his young family. During his acceptance speech for Best Film Not in the English Language, producer James Wilson shared a poignant insight. He mentioned a letter he received from a friend who couldn’t stop contemplating the metaphorical walls people choose not to look behind in their lives. Wilson drew attention to the importance of caring about innocent lives lost in various conflict zones, from Gaza and Yemen to Mariupol and Israel, highlighting the shared responsibility to value humanity globally.
“20 Days in Mariupol” claimed the Best Documentary award. Director Mstyslav Chernov, in an emotional interview with the BBC’s Colin Paterson, expressed his hope to be alive by the next Baftas. The film captures the harrowing experiences of a group of Ukrainian journalists trapped in the besieged city of Mariupol during the Russian invasion. Chernov emphasized the significance of giving voice to Ukrainians and continuing to shed light on the ongoing situation. Grateful for the support of the people of Mariupol, he dedicated the award to them, acknowledging their assistance and resilience throughout the journey.
The Baftas, therefore, offered a blend of entertainment and thought-provoking content, encompassing both playful moments and profound reflections on the current state of the world.
Samantha Morton dedicates award to children in care
[GETTY IMAGES]
Bafta Fellowship for Samantha Morton and Representation in the Industry
Samantha Morton, known for her successful TV career in shows like “The Walking Dead” and her roles in films such as “Minority Report” and “Fantastic Beasts and Where to Find Them,” received the prestigious Bafta Fellowship, the highest honorary accolade of the organization. During her acceptance speech, Morton shared the importance of representation for individuals from her background in films and television.
Recalling the impact of watching Ken Loach’s “Kes” in her classroom, Morton expressed how seeing poverty and characters like herself on the screen had a profound effect on her. She emphasized that representation matters and dedicated her award to every child who has been in or is currently in the care system, acknowledging their struggles and resilience.
In reflecting on her journey, Morton stated that film had transformed her life and led her to this moment. She stressed the power of storytelling to change lives and encouraged her younger self and others to persevere, emphasizing their significance and value.
Speaking backstage, Morton addressed challenges faced by the British film industry, calling for the recognition and investment in homegrown productions rather than solely serving as a service industry for American projects. She highlighted the need for a dedicated cultural and sports minister and a deeper understanding of the billion-dollar industry’s potential.
Matthew Perry upset
In a separate incident, there was some concern regarding Matthew Perry, the former Friends star, not being mentioned in the In Memoriam segment. However, Bafta clarified that Perry would be included in the obituary montage for its television awards taking place in May.
The Baftas not only recognized Morton’s outstanding career but also highlighted the importance of representation and the need for support and investment in the British film industry.
The south Asian underground music scene is rapidly growing [AIYUSH PACHNANDA ]
South Asian Music’s Struggle for Mainstream Recognition Despite TikTok’s Popularity
A Vibrant Fusion of Sounds and Cultures: South Asian DJs Redefine Musical Boundaries
In a club in west London on a lively Saturday night, an electrifying musical showdown unfolds as South Asian DJs blend sounds, cultures, and beats seamlessly.
Amidst the pulsating music, a young man passionately exclaims, “This is more than just music; it’s a celebration of my culture and identity.”
As the crowd sways to an eclectic mix of global chart-toppers, iconic Bollywood melodies, energetic bhangra rhythms, and an array of captivating sounds, DJ D-lish proudly states that she is pushing the boundaries of what South Asian music represents.
Striving for Mainstream Recognition: South Asian Artists’ Uphill Battle
Alisha, a talented 25-year-old artist, known by her real name, is just one among numerous South Asian musicians endeavoring to bring their music into the mainstream.
Despite cultivating a dedicated underground music scene with a fervent following, Asian artists continue to grapple with the arduous task of breaking into the charts. This challenge persists despite Asians comprising nearly 10% of the British population.
While other musical subcultures like Grime enjoy their heyday, Asian-influenced music seems to have been left behind, struggling to gain momentum.
Back in 2002, Panjabi MC’s bhangra hit “Mundian To Bach Ke” stormed the music scene, selling a remarkable 10 million copies worldwide and becoming one of the best-selling singles of all time.
However, what could have marked the beginning of a thriving era for Asian artists turned out to be nothing more than a fleeting success, a mere one-hit wonder.
Fast forward two decades, and the problem lingers—a limited number of British Asian artists have managed to secure top 40 singles, with even fewer songs infused with an Asian-influenced sound making their way into the charts.
Prejudged Without Uttering a Word
Singer-songwriter Jay Sean Opens Up About Preconceived Notions
In an interview with BBC News, singer-songwriter Jay Sean candidly shares his experience of facing confusion and preconceived notions when he began performing in the early 2000s.
“People were perplexed,” he reveals. “As soon as they saw a brown kid like me, they would immediately jump to conclusions about the type of music I was going to play. I was judged before I even had the chance to utter a single word,” he explains.
Jay Sean said people would always make assumptions about his music based on the way he looked[ GETTY IMAGES]
Challenging Stereotypes: Artists Navigate Prejudice in the Music Industry
Renowned for his 2009 hit “Down,” British Asian R&B artist Jay Sean reveals that even after signing with a label, he encountered frustrating encounters where he was subjected to “dumb questions.” He attributes this to a prevailing lack of understanding about South Asian culture among label producers.
Likewise, musician Naughty Boy, known for collaborations with Emeli Sande and Sam Smith, shares a similar experience of being pigeonholed due to his ethnicity as a brown, Muslim artist.
Despite achieving a UK number one hit with “La La La” and securing five additional UK top 10s, Naughty Boy recounts being advised to “dilute” his sound to cater to mainstream expectations and increase chart success. However, he remained steadfast in staying true to his unique musical style, always embracing an unapologetic approach.
Both artists have adopted stage names distinct from their given names, clarifying that this choice is not an attempt to conceal their heritage but rather a creative decision that goes beyond cultural labels.
,Naughty Boy has been making music for over a decade[BBC]
Overcoming Stereotypes: Artists Champion South Asian Talent and Mainstream Recognition
Naughty Boy explains that his decision to adopt a stage name was not to seek validation through his identity but rather to ensure that his music is heard without preconceived judgments. His intention is for the world to experience his music authentically.
Both Naughty Boy and Jay Sean have taken matters into their own hands by establishing their own record labels, providing a platform for emerging South Asian artists. Their goal is to pave the way for more South Asian talent to receive recognition on mainstream platforms.
Sean emphasizes his unwavering determination to witness greater representation of South Asian artists in mainstream music. Drawing inspiration from the success of Spanish music and Afrobeats within the British audience, he firmly believes that South Asian music can achieve the same level of mainstream popularity.
Their collective efforts reflect a commitment to breaking barriers and challenging the existing norms, as they strive to create a more inclusive and diverse music industry.
‘The media turns a blind eye’
Expanding South Asian Music Scene Sparks Label Interest and Calls for Infrastructure Support
With the growing prominence of the South Asian underground music scene, record labels are recognizing its popularity and demonstrating a heightened commitment to signing South Asian artists.
Vishal Patel, co-founder of 91+, an independent label established specifically to address a void in the industry, focuses exclusively on signing artists of South Asian heritage. He highlights the struggle South Asian artists face in achieving mainstream recognition, attributing it to a lack of infrastructure.
“The scarcity of media executives from South Asian backgrounds who possess the operational expertise to promote this music is a significant obstacle,” Patel explains. He further acknowledges that many executives lack an understanding of South Asian culture, leading them to overlook its potential.
Drawing parallels to the experiences of black British artists who faced similar challenges, Patel emphasizes the need for unity and support within the industry. He believes that labels, media outlets, and streaming services played a crucial role in elevating Grime music to its current cool status. Similarly, he calls for industry insiders who will champion South Asian musicians and help them break through barriers.
These developments reflect a growing recognition of the untapped potential within the South Asian music scene and the necessity of fostering a supportive environment to propel it towards mainstream success.
Music executives are using social media as a tool to find up-and-coming South Asian artists [AIYUSH PACHNANDA]
Jasmine Takhar, presenter of the BBC’s Introducing show on the Asian Network, has played a vital role in providing a platform for over 500 South Asian artists through her show.
According to Takhar, there exists a widespread “ignorance” regarding the type of music created by South Asian artists. She asserts that the talent is undoubtedly present, yet questions why South Asian artists are not regularly heard on the radio or promoted on platforms like Spotify.
Takhar highlights an unfortunate reality where she has encountered artists with millions of social media followers who remain relatively unknown in the mainstream due to what she perceives as the media’s disregard for their work.
Her observations shed light on the need for increased visibility and recognition of South Asian artists in mainstream media spaces, emphasizing the importance of platforms like her show in bridging this gap and providing a much-needed spotlight on their talent.
A new Asian sound
A Rising Social Media Sensation: Girls Like You, the South Asian Girl Band
Girls Like You, a girl band consisting of four talented women aged between 20 and 25, all of South Asian heritage, has achieved significant fame through social media platforms. The band’s remarkable journey began when they were discovered on Instagram by Vishal’s record label.
With multiple viral moments on platforms like Instagram and TikTok, Girls Like You have captivated audiences with their unique talent and infectious performances. Their social media presence has garnered widespread attention and propelled them into the spotlight.
As a South Asian girl band, Girls Like You represents a fresh and diverse voice in the music industry, resonating with audiences who appreciate their cultural heritage and musical artistry. Their rise to fame serves as a testament to the power of social media in providing opportunities for artists to gain recognition and connect with a global fanbase.
Girls Like You make music in English, Hindi, Urdu and Punjabi [ GIRLS LIKE YOU]
A Cross-Cultural Blend: Girls Like You’s Viral Success and Breaking Stereotypes
In their latest achievement, the girl group Girls Like You achieved a remarkable six million views on their remix of Bollywood’s “Yeh Ka Hua” and Ne-Yo’s R&B classic “So Sick.” The band’s music represents a fusion of cultures, blending languages and sounds to create a unique musical experience.
Band member Jaya explains their approach, stating, “We love to combine pop music with bhangra, like mixing Bollywood and Beyoncé.” This integration of Bollywood influences into Western music is not entirely new, as several popular pop songs have previously incorporated samples from India’s renowned film industry. For instance, Britney Spears’ “Toxic” sampled a 1981 Hindi song by Lata Mangeshkar, while the Black Eyed Peas incorporated a famous song by Asha Bhosle in “Don’t Phunk with My Heart.”
Girls Like You aims to challenge stereotypes surrounding British Asian women and has amassed a truly global following on social media. Yasmin, another member of the group, affirms their commitment to breaking barriers and emphasizes their aspiration to translate their social media success into chart-topping hits. They firmly believe that the current climate is conducive to the success of South Asian artists.
In addition to the impact of social media, music festivals are also making concerted efforts to increase the diversity of their line-ups, reflecting a growing recognition of the need for inclusivity and representation within the industry.
Diljit Singh Dosanjh will be the first Punjabi language singer to perform at Coachella[ GETTY IMAGES]
Coachella’s 2024 Line-Up: South Asian Representation and the Need for Long-Term Commitment
Coachella’s 2024 line-up has received praise for its inclusion of South Asian artists, highlighting the growing recognition of their talent. Mercury Prize nominee Joy Crookes, a South London artist of Bangladeshi descent, is set to perform, emphasizing the importance of providing a platform for musicians from minority groups. Diljit Dosanjh, a turban-wearing Bollywood actor and the first Punjabi artist to sell out London’s O2 Arena, will also grace the stage at the festival.
While these steps toward representation are encouraging, Naughty Boy remains cautious about the music industry’s commitment. He emphasizes the need for a long-term perspective, expressing his concern that South Asian artists may be viewed as a passing trend. He urges labels not to simply throw money at South Asian artists because being “brown” is currently seen as cool. Naughty Boy stresses the importance of sustained dedication and a genuine commitment to changing the industry landscape.
His sentiment reflects the necessity for lasting structural changes in the music industry, ensuring that South Asian artists are not seen as a temporary phenomenon but are given equal opportunities and support throughout their careers. This long-term commitment is crucial for fostering a more inclusive and diverse music industry that celebrates and uplifts artists from all backgrounds.
Jordan North Expresses Gratitude to Listeners and Colleagues Following Unexpected Departure from BBC Radio 1’s Drivetime Show
Radio 1 -Jordan North Expresses Gratitude to Colleagues and Listeners Following Unexpected Departure
In a heartfelt message shared on social media, Jordan North, former BBC Radio 1 drivetime show host, expressed his appreciation for his listeners and former colleagues. He specifically mentioned his “partner in crime,” Vick Hope, acknowledging how much he would miss being on air with her every day.
On Friday, Radio 1 announced that Made in Chelsea star Jamie Laing would be taking over North’s role on the drivetime show. While North did not disclose the reasons for his departure or his future plans, insiders cited by the Sun suggest that he is joining the Capital FM Breakfast team, which is owned by Global.
BBC News has reached out to North’s management and Global for comment.
Having spent a decade at Radio 1, North is a beloved presenter known for his charismatic style. In his statement, the 34-year-old expressed gratitude to his colleagues, considering many of them friends for life. He also extended his appreciation to his fellow presenters, including Greg James, Scott Mills, Clara Amfo, and Vick Hope.
Above all, North expressed heartfelt thanks to the listeners who have been incredibly supportive and made him feel welcome throughout his tenure. Their kind words and messages have touched him deeply, leaving a lasting impact on his journey in radio.
Jamie Laing will replace North on Radio 1’s Going Home show next month [GETTY IMAGES]
North’s Collaborations and Jamie Laing’s Excitement for New Role
Since 2021, Jordan North has been co-presenting the drivetime show with Vick Hope, following his previous experience hosting weekend shows like Greatest Hits on Sundays. Additionally, he co-hosts the highly popular Help I Sexted My Boss podcast alongside William Hanson.
In 2020, North also made a notable appearance on the reality TV show I’m a Celebrity… Get Me Out of Here!, where he achieved an impressive second-place finish.
As for Jamie Laing, he will now be hosting the Going Home show on Radio 1 from 15:30 to 17:45, Monday to Thursday, alongside Vick Hope. Laing, who previously filled in for Mollie King’s maternity leave on the station, expressed his excitement, describing the opportunity as “an absolute dream.”
With these changes set to take place from March 4th, both North and Laing embark on new chapters in their broadcasting careers, bringing fresh energy and enthusiasm to their respective roles.
Zendaya’s Captivating Silver Ensemble Takes Center Stage at the World Premiere of Dune: Part Two in London
Zendaya / Director Denis Villeneuve Steals the Spotlight, According to Florence Pugh, as She Praises Dune: Part Two as a Timeless Masterpiece
During an interview on the red carpet at Leicester Square, actress Florence Pugh emphasized that the focus should be directed towards director Denis Villeneuve for his remarkable creation, which she believes will become a staple in cinema studies for years to come.
Expressing her admiration, Pugh shared, “When I watched the movie, I said, ‘I think this might be the best movie I’ve ever watched in my life.’ And people will analyze and study this film extensively, even if we remove myself from the equation.”
Florence Pugh arrives at the premiere of Dune: Part Two.[AP]
Timothee Chalamet Reprises Role as Paul Atreides in Dune: Part Two, While Florence Pugh Embarks on a New Journey to Arrakis
In the highly anticipated sequel, Dune: Part Two, Timothee Chalamet returns as the vengeful Paul Atreides, determined to avenge the destruction of his family lineage. Meanwhile, Florence Pugh joins the cast as a fresh face on the desert planet of Arrakis, portraying Princess Irulan, the daughter of the Emperor, skillfully portrayed by the legendary Christopher Walken.
Reflecting on her experience working alongside Walken, Pugh expresses her profound gratitude, stating, “Even beyond the characters, I feel incredibly fortunate to have spent so much time with Christopher Walken. Watching him and absorbing everything was an invaluable opportunity. He has been a source of admiration for me since childhood… It truly is a gift.”
For Florence Pugh, being part of the cast under the direction of Denis Villeneuve evoked a sense of returning to the essence of traditional filmmaking that she deeply appreciates.
Zendaya arrives at the premiere of Dune: Part Two.[AP]
“It brings back that authentic filmmaking experience,” she reflects. “Placing people in the right environments, with fitting costumes and talented actors. You know, there can be countless green screens, but ultimately, being on real locations and breathtaking sets adds a tremendous depth to the performance. I consider myself incredibly fortunate to be here.”
Based on Frank Herbert’s highly regarded 1965 novel, Dune: Part Two delves into a rich tapestry of politics, religion, the pursuit of scarce resources, and environmental concerns. It tackles these themes with depth and relevance, drawing parallels to real-world issues.
In light of recent reports about Russia’s alleged development of space nuclear weapons, Florence Pugh reflects on the resonance of Dune’s themes with contemporary challenges. She remarks, “Although we perceive Dune as a vision of a distant science fiction future, it’s remarkable how some of its themes are equally reflective of the broader issues we face in our present time.”
Written many years ago, the book’s enduring relevance highlights the recurrent nature of human struggles. Pugh adds, “As humans, we find ourselves grappling with the same issues again and again and again. This speaks volumes about our collective journey.”
Dune: Part Two is set to captivate audiences as it arrives in UK cinemas on 1 March, offering a thought-provoking cinematic experience.
British models Naomi Campbell and Kate Moss, pictured in 1999, have been mainstays of London Fashion Week since the early days [GETTY IMAGES]
Celebrities Gracefully Embrace the Limelight to Commemorate the 40th Anniversary of London Fashion Week (LFW).
London Fashion Week (LFW), an illustrious bi-annual event that originated in 1984 as the brainchild of PR guru Lynne Franks, has now become an essential fixture on the global fashion calendar. This year marks its 40th anniversary, bringing forth a dazzling showcase of glamour and style that will grace the city until Tuesday.
Despite the industry facing economic challenges, including the cost-of-living crisis, interest rates, and the impact of Brexit, British Fashion Council chair David Pemsel remains optimistic about its resilience. He highlighted the industry’s esteemed quality and the incredible work being done by phenomenal designers.
Organizers have curated an anniversary edition of LFW featuring 67 designers across 46 captivating catwalks and 36 remarkable events. Additionally, there will be appearances by numerous emerging designers who will showcase their collections off the main grid.
Star attractions include renowned names such as Preen, Richard Quinn, Simone Rocha, Harris Reed, 16Arlington, Emilia Wickstead, and the influential stylist Harry Lambert, known for transforming the wardrobes of Harry Styles and Emma Corrin. Keeping with tradition, Burberry is set to conclude the official program on Monday with a highly anticipated collection by Daniel Lee.
Making a Lasting Impression: Striking a Pose with Style
In a dazzling display of celebration, some of London’s most iconic landmarks, including Covent Garden, the London Eye, and the Royal Opera House, were bathed in a vibrant green glow, symbolizing the commencement of the LFW anniversary festivities.
Throughout the decades, LFW has been a platform for both established and emerging British talents, catapulting supermodels like Naomi Campbell and Kate Moss to stardom and showcasing the visionary creations of iconic designers such as Matthew Williamson, Stella McCartney, and the late Alexander McQueen.
Lynne Franks, the inspiring figure behind the Absolutely Fabulous character Edina Monsoon, championed the establishment of a dedicated fashion week in London fueled by her frustration. She envisioned a space where the city’s creative prowess could be properly showcased, aligning London with other esteemed fashion capitals like New York, Milan, Paris, and Tokyo.
“We were not even on the international calendar,” she shared with the Evening Standard. “I thought, if they can do it, why can’t we?”
While comparatively smaller than its counterparts in Milan, Paris, and New York, which regularly feature global fashion powerhouses, London remains renowned for its distinctive style and audacity.
“It’s much more innovative,” remarked Betty Jackson, a designer who participated in the first LFW, in an interview with the BBC. “I truly believe we have the best ideas. And we’re fearless.”
She added, “A lot of inspiration, I think, comes from young people wearing unique garments on the streets and reimagining fashion in their own way.”
The British Fashion Council’s New Gen initiative continues to nurture the next generation of designers, while the Central Saint Martins MA show on Friday provides a prominent platform for the brightest young stars emerging from London’s esteemed art school.
A Captivating and Unconventional Moment: McQueen’s Artistic Expression Unveiled
In a truly captivating instance among the multitude of McQueen’s runway shows, the spotlight fell on two robots who delicately spray-painted a dress adorning the graceful model, Shalom Harlow.
Reflecting on this extraordinary encounter with the Metropolitan Museum of Art, Harlow revealed that she had not engaged in direct discussions about the set piece with the designer prior to the show.
“I prefer to believe that he aimed to minimize interference and provide me with the most authentic and spontaneous experience,” shared the model with the Met, emphasizing the designer’s respect for her individual journey.
A Royal Presence Enlivens the Front Row: Queen Elizabeth II Joins Wintour (2018) [GETTY IMAGES ]
A Majestic Encounter: Queen Elizabeth II Joins Anna Wintour at Richard Quinn’s Runway Show . In a moment of true fashion royalty meeting actual royalty, Queen Elizabeth II graced Richard Quinn’s runway show in 2018, accompanied by the esteemed Anna Wintour.
The late queen, then 91 years old, radiated warmth and joy as she attended the event, dressed in a vibrant turquoise blazer that complemented her infectious smile.
In a heartfelt tribute piece for Vogue following Elizabeth II’s passing in 2022, Wintour recounted a conversation with the queen, highlighting her remarkable presence and sense of humor. Wintour shared, “She expressed her delight at being there, sharing with me her experience of appearing in a fashion show long before she ascended to the throne.”
With an effervescent spirit that filled the room, the queen’s words resonated with joy and humor, leaving an indelible mark on everyone present. While it was an ordinary occurrence for Her Majesty, it became an unforgettable moment for the rest of us, forever cherished in our hearts.
Alexander McQueen dances down the catwalk (1997) [ALEXIS DUCLOS]
A Memorable Moment: Celebrating the Late Fashion Designer’s Joyful Catwalk Appearance
Throughout his illustrious career, the late fashion designer illuminated London Fashion Week with his boundless creativity. However, in 1997, he experienced a rare and remarkable moment on the catwalk himself.
Defying convention and dressed in a casual polo shirt and jeans, in stark contrast to his dramatic fashion creations, the beloved British designer joyfully danced down the runway as his show drew to a close. The air was filled with rapturous applause from both the models and the captivated audience.
This extraordinary display showcased the designer’s unique spirit and his ability to transcend boundaries, leaving an indelible impression on all who were fortunate enough to witness this celebration of creativity and pure joy.
Hussein Chalayan’s Avant-garde Creation: The Captivating Coffee Table Dress
Renowned for his boundary-pushing designs, Hussein Chalayan has garnered global acclaim, yet none of his creations have captured the collective imagination quite like his iconic coffee table dress.
In a mesmerizing display, models gracefully traversed a living room catwalk, with one model daringly stepping atop the coffee table. In a moment of sheer industrial design brilliance, the table transformed into a wooden hooped skirt when she lifted it up, leaving the audience in awe.
Beyond its theatrical allure, the show carried a profound underlying message. Inspired by the plight of war refugees, the interplay between furniture and clothing served as a poignant metaphor for those compelled to flee their homes, carrying their meager possessions on their backs.
Chalayan’s remarkable creation not only pushed the boundaries of fashion but also shed light on the resilience and strength of individuals forced into extraordinary circumstances. It served as a powerful reminder of the human stories behind the garments we wear, prompting reflection and empathy among those fortunate enough to witness this thought-provoking spectacle.
Prince struts his stuff (2007) [GETTY IMAGES]
Prince’s Unforgettable Surprise at LFW: A Fusion of Flamboyance and Fashion
Known for his flamboyant music and daring fashion choices, it comes as no surprise that the enigmatic Prince made a remarkable appearance at London Fashion Week (LFW), even though no one expected it.
During his visit to the capital for a performance at the 02 Arena, the iconic star managed to slip in virtually unnoticed before Matthew Williamson’s 2007 show. From the front row, he surprised everyone by starting to sing, captivating the audience, and then leaping onto the stage to perform his track, “Chelsea Rodgers.” The Telegraph reported that there was a method to his madness: the song was dedicated to his girlfriend at the time, who coincidentally happened to be a fan of Williamson and shared the same name.
Was it a fashion show, a live concert, or an immersive love letter? Perhaps it was a mix of all three, perfectly embodying the essence of Prince himself. London Fashion Week, a Powerhouse of Economic Impact. London Fashion Week plays a significant role in the UK economy, contributing a staggering £21 billion and employing over 900,000 people, as highlighted in the latest industry report by the British Fashion Council. Recent figures from Mintel reveal that womenswear sales reached an estimated £30.9 billion, while menswear sales amounted to £15 billion.
Prime Minister Rishi Sunak commended the fashion sector for its valuable contribution, recognizing its economic significance and global reputation for creativity. He emphasized the potential to explore new markets and rekindle awareness of the power of fashion week and participating businesses, as he expressed to the Evening Standard. However, McKinsey’s State of Fashion report warns of challenging economic conditions ahead, with fashion houses facing subdued economic growth, persistent inflation, and weak consumer confidence.
The fashion industry leaders expressed frustration when the tax-free shopping policy was abolished during Mr. Sunak’s tenure as Chancellor in 2021. Despite calls from the British Fashion Council, prominent fashion brands, and retailers to reinstate the tax break, the policy remains unchanged during his time as Prime Minister.
Taylor swift In the aftermath of the devastating mass shooting at the Super Bowl victory parade of the Kansas City Chiefs,
Taylor Swift has displayed her heartfelt empathy by making two donations of $50,000 each to a GoFundMe campaign dedicated to supporting the family of Lisa Lopez-Galvan, a beloved DJ in Kansas City.
Lopez-Galvan was joyously celebrating the Chiefs’ triumph alongside her husband, son, and daughter when the tragic incident occurred, claiming her life. The shooting also left twenty-two others injured, including children present at the parade.
With a poignant message of condolence, Taylor Swift wrote, “Sending my deepest sympathies and condolences in the wake of your devastating loss. With love, Taylor Swift.” A representative for Swift confirmed that she indeed made the generous contributions.
The initial aim of the fundraising campaign was to raise $75,000 to provide financial assistance to Lopez-Galvan’s grieving family as they navigate through this profound tragedy. As of Friday morning, the campaign had already exceeded its goal, with over $182,000 raised.
This act of kindness is not the first time Taylor Swift has shown her support for victims of senseless violence. In 2018, she made a charitable donation on behalf of shooting victims to the March for Our Lives movement, emphasizing the need for comprehensive gun reform and stating that no one should have to live in fear of gun violence.
While currently on her “Eras Tour” in Melbourne, Australia, Swift’s compassionate gesture demonstrates the depth of her care and concern. Likewise, Chiefs player Kelce expressed his heartfelt sorrow over the shooting, stating, “I am heartbroken over the tragedy that took place today. My heart is with all who came out to celebrate with us and have been affected. KC, you mean the world to me.”
