Tyler Perry is a TV and film giant with his own studio complex in Atlanta [GETTY IMAGES]
Acclaimed US film and TV mogul Tyler Perry delays $800m (£630m) expansion of his studio due to apprehensions surrounding emerging AI technology.’
Tyler Perry, a respected figure in the film and TV industry, has made the decision to postpone the planned expansion of his Atlanta studio by adding 12 sound stages. His concerns stem from the recent introduction of OpenAI’s video generator, Sora.
Expressing his worries, Perry, aged 54, fears that the advancement of artificial intelligence will result in a significant loss of jobs within the film industry. In an interview with the Hollywood Reporter, he described the capabilities of Sora as “shocking.”
As a result of witnessing the demonstrations and realizing the extent of Sora’s capabilities, Perry has decided to halt all progress on the expansion plans, emphasizing that the decision is indefinite.
While he had heard about the development of this technology over the past year, it was not until recently that he truly comprehended its potential impact. Perry expressed his astonishment at what he had observed, stating, “It’s shocking to me.”
It’s important to note that Sora, created by the same company responsible for ChatGPT, has been released in a limited manner this month and is not yet available for public use.
Perry works closely with Oprah Winfrey [GETTY IMAGES]
OpenAI’s CEO engaged with their followers on the social media platform X (formerly known as Twitter), accepting requests and using them to create videos that showcased the remarkable capabilities of the technology.
Despite having limited resources and only a few text prompts to work with, the AI system was able to generate realistic video content, reaching up to one minute in duration. This demonstration highlighted the impressive potential of the technology in generating lifelike footage.
‘Very, very concerned’
Perry expressed astonishment at the capabilities of technology, suggesting that it could potentially render traveling to locations and constructing physical sets unnecessary. He found it surprising that he could accomplish tasks using a computer from the comfort of an office. However, he also voiced concerns about the potential job losses this technological advancement could entail, particularly for actors, editors, sound specialists, and transporters. Perry emphasized his worry for the livelihoods of those involved in the industry.
Perry shared his personal experience of using AI on set to portray an older version of himself in a scene, which eliminated the need for hours of aging makeup. The use of AI in the industry has already sparked discussions and was a significant point of contention during the 2023 Hollywood strikes. Writers expressed concerns about their jobs being replaced by AI, while actors worried about being substituted on set by the technology.
Although an agreement was eventually reached between studios and Hollywood workers, Perry believes that the entire industry needs to unite to safeguard people’s livelihoods. He emphasized the necessity for collective action and collaboration to protect the future of the industry, as it undergoes rapid transformations right before everyone’s eyes. Perry’s call was for all stakeholders to come together and address the challenges posed by advancing technology.
Ian Ousley, Gordon Cormier, Kiawentiio and Dallas Liu at The Last Airbender premiere [GETTY IMAGES]
Netflix’s latest live-action release, Avatar: The Last Airbender, elicits a range of critical opinions.’
The eight-part series serves as a reinterpretation of the beloved animated fantasy series of the same name originally created by Michael Dante DiMartino and Bryan Konietzko.
Although both DiMartino and Konietzko initially joined forces with Netflix for the live-action adaptation, they departed from the project before its completion.
Regrettably, the 2024 remake, helmed by Albert Kim, has been received with mixed reviews. Variety described it as a “beautifully crafted disappointment.”
Critic Aramide Tinubu acknowledged that the series managed to avoid the flaws of another adaptation, the 2010 film The Last Airbender directed by M. Night Shyamalan. However, Tinubu noted that fans may have preferred if Netflix had left DiMartino and Konietzko’s original masterpiece untouched.
Tinubu further commented that while the show’s visuals and the inclusion of Asian and Indigenous actors added authenticity to the series, the majority of the cast’s performances fell short when it came to effectively conveying the weight of the narrative. Many portrayals lacked the necessary depth of emotion required to carry a show that delves into themes of genocide, war, and totalitarianism.
It is important to note that the concerns raised about the remake are separate from the success of the original Avatar film, which remains the highest-grossing film ever made. Despite the mixed reception, the series still holds appeal for fantasy enthusiasts.
Canadian actor Gordon Cormier plays lead character Aang [GETTY IMAGES]
Without revealing too much, the series follows a captivating premise set in a world divided into four distinct kingdoms, each associated with the elements of fire, earth, water, and air. In these kingdoms, individuals known as “benders” possess the ability to manipulate and wield these elements as a form of extraordinary power.
The story revolves around the main characters, including 12-year-old Aang portrayed by Gordon Cormier, who joins forces with 14-year-old Katara (Kiawentiio) and her older brother Sokka (Ian Ousley) on a mission to save their respective kingdoms.
Jack Seale from The Guardian offered a more positive perspective, assigning the series a commendable four-star rating. Seale praised the vibrant landscapes, the awe-inspiring presence of a colossal six-legged flying bison that gracefully transports characters through the clouds, and the impressive performances delivered by the youthful cast.
Seale expressed confidence in the Airbender franchise, suggesting that this revival marks just the beginning of its journey, implying that there is more to come from this captivating world.
‘Rather drab and thinly sketched’
However, Empire’s Kambole Campbell offered a more critical perspective, granting the series a modest two-star rating. Campbell expressed disappointment that the show veered away from the original’s animated charm and dynamic presentation, opting instead for a more serious and somber fantasy approach. According to Campbell, the series presents a lackluster and thinly developed spin on familiar themes of oppression and rebellion. Furthermore, despite each episode having an hour-long duration, Campbell found the show to be simultaneously too long and too short, leaving an unsatisfying impression.
Anita Singh from The Telegraph provided a middling review, awarding the series a three out of five-star rating. Singh described it as solid entertainment, characterized by fast-paced action, well-executed fight scenes, and commendable performances, all made possible by Netflix’s substantial budget. However, Singh cautioned against expecting subtlety, as the series targets a younger audience, resulting in broadly drawn characters and plotlines. Singh shared that she watched the series with her own children, who provided their own review, stating that it was good but not on par with SpongeBob SquarePants.
It’s important to consider the diverse range of opinions expressed by critics, highlighting both positive and negative aspects of the series, ultimately leaving room for individual interpretation and preferences.
‘The acting is wooden’
(L-R) Paul Sun-Hyung Lee, Daniel Dae Kim, Ken Leung, Kiawentiio, Gordon Cormier, Ian Ousley, Dallas Liu and Elizabeth Yu at the show’s premiere [GETTY IMAGES]
While the majority of reviews have found some positive aspects in the show, the same cannot be said for Vulture’s Jackson McHenry’s review. McHenry expressed numerous criticisms, stating that the live-action series had significant flaws right from the start. He highlighted wooden acting, lackluster writing, garish costumes, an annoyingly monotonous score, and a visual appearance that seemed dull and murky. McHenry found the hour-long premiere to be particularly unexciting and tedious, struggling to maintain interest and lacking the enthusiasm to continue watching the remaining seven episodes. He likened the experience to receiving a mundane homework assignment, which he considered an unfortunate fate for a series based on a beloved Nickelodeon kids’ cartoon.
On the other hand, Paul Tassi of Forbes took a more positive stance. Tassi acknowledged that the series was not on par with its animated predecessor, but praised the evident passion and love displayed by the cast and crew towards the source material. He likened the endeavor to painting the Mona Lisa with colored pencils—while it may be impressive in its own right, it is a different medium that cannot match the original masterpiece. Despite skepticism, including his own as a fan of the original series, Tassi admitted that Netflix’s Avatar: The Last Airbender surpassed his expectations, and by the end, he genuinely enjoyed it.
It’s evident that opinions regarding the series vary, with some reviewers highlighting significant flaws and dullness, while others acknowledge the dedication of the production team and find enjoyment in the show despite its differences from the animated series.
The 24-Year-Old, Who Set World Record in Chicago in October, Dies in Car Accident This Month.
Family members surround the coffin of Kenya’s marathon world record holder Kelvin Kiptum, who died in a road accident, during his funeral in Chepkorio on February 23, 2024 [Monicah Mwangi/Reuters]
Marathon world record holder Kelvin Kiptum, whose aspirations of breaking the race’s two-hour barrier were tragically cut short by a fatal car crash earlier this month, was honored for his exceptional talent and modesty during a funeral in western Kenya.
The service, held on Friday in his hometown of Chepkorio in the Rift Valley, drew hundreds of mourners, including prominent political and sports figures such as President William Ruto and World Athletics President Sebastian Coe.
Despite being only 24 years old, Kiptum had participated in just three international marathons, each ranking among the top seven fastest times ever recorded. His remarkable achievement came in Chicago last October, where he set the world record, clocking in at two hours and 35 seconds, surpassing his compatriot Eliud Kipchoge’s mark by 34 seconds.
Anglican Bishop Paul Korir, leading the service, highlighted Kiptum’s humility and deep connections to the local community, where he had worked as a livestock herder and trained as an electrician before pursuing a career in professional running.
“Despite mingling with the elite, he remained grounded and often frequented the local pool hall in Chepkorio,” Korir reflected.
His untimely passing has sent shockwaves through Kenya and the broader athletics community.
“He was a true luminary whose trajectory promised greatness,” remarked Jack Tuwei, president of Athletics Kenya. “All signs pointed to his eventual conquest of the two-hour milestone.”
“Farewell, champion,” echoed the front-page headline of Kenya’s leading Daily Nation newspaper on Friday.
A woman mourns after viewing Kiptum’s body [Reuters]
At daybreak, mourners, among them Faith Kipyegon, the record holder in the 1,500 meters, began to arrive for the funeral. Some donned black T-shirts featuring a portrait of Kiptum on the front. They paid their respects to the deceased, with his body resting in a partially open casket on a red carpet, accompanied by hymns sung by a choir.
Outside the venue, numerous villagers congregated, watching the service unfold on four large screens.
Palestinian Lawyers Lodge Criminal Complaint Against Chancellor and Senior Politicians, Alleging Complicity in ‘Genocide’
German Chancellor Olaf Scholz, left, holds a press conference with Israeli Prime Minister Benjamin Netanyahu during a visit to Tel Aviv [File: Maya Alleruzzo/Pool via Reuters]
In Berlin, Germany, a coalition of lawyers has lodged a criminal complaint with the German federal prosecutor, targeting high-ranking German officials, notably Chancellor Olaf Scholz, on charges of “aiding and abetting” the alleged genocide perpetrated by Israel in Gaza.
The complaint extends to various members of the nation’s Federal Security Council, responsible for shaping national security strategies and sanctioning arms trade, formally submitted on a Friday.
Alongside Scholz, Foreign Minister Annalena Baerbock, Economics Minister Robert Habeck, Finance Minister Christian Lindner, and other officials are implicated in the accusation.
Ragab emphasized, “As Palestinians in the diaspora, we refuse to passively witness the genocide unfolding against our families and our people. We are committed to utilizing every available means to address this injustice. Today, our goal is to hold the German government accountable for its involvement in the Gaza genocide.”
Backing the case, civil society organizations such as the European Legal Support Center, the Palestine Institute for Public Diplomacy, and the UK-based Law for Palestine issued a collective statement. They highlighted, “The German state has notably extended substantial political and material support to Israel in its aggression against the Gaza Strip and the Palestinian population.”
Alexander Gorski, a lawyer backing the case, recognized, “Considering the legal framework and the political dynamics in Germany, this case presents significant challenges.”
He emphasized to Al Jazeera, “However, we perceive it as our duty as legal professionals to take action. The global dissemination of the genocide’s evidence is undeniable. Yet, despite this, the Israeli government continues to garner support from other nations and receives weaponry.”
After the October 7 attacks by Hamas, during which 1,139 people were killed in southern Israel, the Israeli government retaliated with a military campaign in Gaza that has to date killed more than 29,000 Palestinians, the majority of them women and children.
Taylor Swift is not only a talented singer-songwriter but also a successful entrepreneur and role model for many. Her journey to success is filled with valuable lessons that can be applied to various aspects of life, including the world of ChatGPT. In this blog post, we will explore seven ChatGPT prompts inspired by Taylor Swift’s rules for success.
1. Embrace Change and Adaptability
Taylor Swift has never been afraid to reinvent herself and adapt to changing times. Similarly, in the world of ChatGPT, it is important to embrace change and adaptability. Prompt: “How can ChatGPT adapt to different user preferences and provide personalized responses?”
2. Emphasize Authenticity
Authenticity is a key aspect of Taylor Swift’s success. She connects with her audience by staying true to herself and sharing personal experiences. In ChatGPT, authenticity can be emphasized by encouraging prompts that promote genuine conversations. Prompt: “Tell me about a time when you faced a challenge and how you overcame it.”
3. Foster Collaboration
Taylor Swift has collaborated with various artists throughout her career, creating unique and successful projects. Similarly, ChatGPT can benefit from collaboration by encouraging prompts that involve multiple users or prompt responses that build on each other. Prompt: “Create a story together with another user, taking turns in adding a sentence.”
4. Embrace Continuous Learning
Taylor Swift has consistently evolved and grown as an artist, constantly learning and improving her craft. In ChatGPT, continuous learning can be encouraged by prompts that promote knowledge sharing and exploration. Prompt: “What is something interesting you recently learned and would like to share?”
5. Embrace Resilience
Taylor Swift has faced numerous challenges and setbacks throughout her career but has always bounced back stronger. In ChatGPT, resilience can be emphasized by prompts that encourage users to share stories of overcoming adversity. Prompt: “Tell me about a time when you faced a setback and how you persevered.”
6. Prioritize User Experience
Taylor Swift’s success can be attributed, in part, to her ability to connect with her audience and prioritize their experience. In ChatGPT, user experience can be prioritized by prompts that encourage feedback and suggestions for improvement. Prompt: “How can ChatGPT better understand and respond to user needs?”
7. Encourage Creativity
Taylor Swift’s creativity knows no bounds, as she constantly pushes the boundaries of her art. In ChatGPT, creativity can be encouraged by prompts that inspire users to think outside the box and come up with unique ideas or solutions. Prompt: “Imagine you have unlimited resources. What would you create or accomplish?”
Conclusion
Taylor Swift’s rules for success can be applied to various aspects of life, including the world of ChatGPT. By embracing change, emphasizing authenticity, fostering collaboration, embracing continuous learning, embracing resilience, prioritizing user experience, and encouraging creativity, ChatGPT can become an even more powerful tool for communication and engagement. Let Taylor Swift’s success story inspire us to make the most of our ChatGPT interactions.
Mia McKenna-Bruce won the only Bafta award chosen by the public [ GETTY IMAGES]
Mia McKenna-Bruce, a talented 26-year-old actor from Kent, wins the prestigious EE Rising Star Award at the Baftas.
Mia McKenna-Bruce, acclaimed for her portrayal of Tara in Molly Manning Walker’s thought-provoking film How to Have Sex, was awarded the esteemed Bafta chosen by the public during Sunday’s event.
Expressing her genuine astonishment, Miss McKenna-Bruce humbly described the win as a “complete surprise.” Overwhelmed with gratitude, she conveyed her desire to embrace and convey appreciation to each individual who cast their vote in her favor.
Amongst a noteworthy lineup including Phoebe Dynevor, Ayo Edebiri, Jacob Elordi, and Sophie Wilde, Miss McKenna-Bruce emerged victorious, earning recognition for her remarkable performance in How to Have Sex. The film sensitively explores themes of sexual consent within the context of a coming-of-age narrative, set against the backdrop of a post-GCSEs holiday in Malia, on the picturesque Greek island of Crete.
In her heartfelt response, she expressed her hope that this win would foster ongoing conversations around the film, further promoting awareness and understanding of its important subject matter.
‘Absolutely petrified’
As Mia McKenna-Bruce took the stage at the Royal Festival Hall in London to accept her well-deserved award, she was overwhelmed with emotions, describing the experience as mind-blowing.
Grateful and filled with appreciation, clutching her first Bafta award, Miss McKenna-Bruce expressed heartfelt thanks to her family for their unwavering belief in her talent, starting from a young age. Although she acknowledged that she could never fully repay them for their support, she considered this achievement as a meaningful starting point.
In an interview with BBC Radio Kent, the actor candidly shared her initial apprehension, confessing to feeling petrified at the thought of speaking in front of esteemed figures like Christopher Nolan. Reflecting on her journey, she fondly recalled her first acting job in Billy Elliot at the tender age of eight. She mentioned how her father would faithfully stand at the back of the theater, attending most shows to watch her perform.
Miss McKenna-Bruce expressed her plans to celebrate this momentous win with her loved ones, cherishing the joyous occasion alongside them, and indulging in a takeaway meal, creating treasured memories together.
Renner said the past year had been “a heck of a journey” as he presented the first award of the ceremony [GETTY IMAGES ]
Actor Jeremy Renner Receives Rapturous Reception at People’s Choice Awards, Triumphing Over a Year of Recovery from a Horrific Snow Plough Accident
Actor Jeremy Renner Receives Heartwarming Applause at the People’s Choice Awards, Overcoming a Challenging Journey of Recovery from a Snow Plough Accident
With immense resilience and determination, Jeremy Renner, known for his role as Hawkeye, triumphantly returned to the stage at the People’s Choice Awards after enduring a harrowing accident involving his own snow plough last January, resulting in over 30 broken bones.
As he graced the stage on Sunday’s ceremony, Renner expressed his gratitude, stating, “I’ve got to say, it feels good to be back.” The audience, including his fellow Marvel star Tom Hiddleston, honored him with a standing ovation, which deeply touched the actor. Moved by the enthusiastic response, Renner acknowledged, “The fans rock, I’ll tell you what. This year’s been a heck of a journey, and I’m happy to be here with you, the fans. You guys are the best.”
During the event, Renner also had the honor of presenting the TV performance of the year award to Billie Eilish for her exceptional work in the comedy horror show Swarm.
Renner’s fellow Marvel star Tom Hiddleston greeted him after Renner had presented the award [GETTY IMAGES ]
The People’s Choice Awards, hosted by another Marvel star, Simu Liu from Shang-Chi, welcomed Renner with great excitement. Liu’s introduction celebrated Renner’s return, expressing immense joy at having him back at the event. He urged the audience to make as much noise as possible, demonstrating their unwavering support for Jeremy Renner.
In a recent interview with Entertainment Tonight, Renner shared insights into his recovery journey, revealing that he had made significant progress, accomplishing about 90% of the necessary tasks. He emphasized that recovery is an ongoing process, intertwined with his commitment to health and wellness. Looking forward, Renner expressed enthusiasm about constantly improving, growing stronger, and embracing a happier, healthier life.
People’s Choice Awards: in Pictures
Billie Eilish won TV performance of the year for her work on Swarm [REUTERS ]Ice Spice (left) won new artist of the year, while Rachel Zegler was named best action movie star [REUTERS ]America Ferrera won movie performance of the year for Barbie, which also won best movie[GETTY IMAGES ]The Little Mermaid star Halle Bailey and Euphoria’s Sydney Sweeney also attended the event in Santa Monica, California [REUTERS ]Loki, starring Tom Hiddleston (left), won best sci-fi show, while Shang-Chi’s Simu Liu hosted the ceremony [GETTY IMAGES ]
The winners in full:
Movie of the Year: Barbie
Action Movie of the Year: The Hunger Games: The Ballad of Songbirds & Snakes
Comedy Movie of the Year: Barbie
Drama Movie of the Year: Oppenheimer
Male Movie Star of the Year: Ryan Gosling (Barbie)
Female Movie Star of the Year: Margot Robbie (Barbie)
Action Movie Star of the Year: Rachel Zegler (The Hunger Games: The Ballad of Songbirds & Snakes)
Comedy Movie Star of the Year: Jennifer Lawrence (No Hard Feelings)
Drama Movie Star of the Year: Jenna Ortega (Scream VI)
Movie Performance of the Year: America Ferrera (Barbie)
TV Show of the Year: Grey’s Anatomy
Comedy Show of the Year: Only Murders in the Building
Drama Show of the Year: The Last of Us
Sci-Fi/Fantasy Show of the Year: Loki
Reality Show of the Year: The Kardashians
Competition Show of the Year: The Voice
Bingeworthy Show of the Year: The Summer I Turned Pretty
Male TV Star of the Year: Pedro Pascal (The Last of Us)
Female TV Star of the Year: Selena Gomez (Only Murders in the Building)
Comedy TV Star of the Year: Jeremy Allen White (The Bear)
Drama TV Star of the Year: Jennifer Aniston (The Morning Show)
TV Performance of the Year: Billie Eilish (Swarm)
Reality TV Star of the Year: Khloé Kardashian (The Kardashians)
Competition Contestant of the Year: Ariana Madix (Dancing with the Stars)
Daytime Talk Show of the Year: The Kelly Clarkson Show
Nighttime Talk Show of the Year: The Tonight Show Starring Jimmy Fallon
Host of the Year: Jimmy Fallon (That’s My Jam)
Male Artist of the Year: Jung Kook
Female Artist of the Year: Taylor Swift
Male Country Artist of the Year: Jelly Roll
Female Country Artist of the Year: Lainey Wilson
Male Latin Artist of the Year: Bad Bunny
Female Latin Artist of the Year: Shakira
Pop Artist of the Year: Taylor Swift
Hip-Hop Artist of the Year: Nicki Minaj
R&B Artist of the Year: Beyoncé
New Artist of the Year: Ice Spice
Group/Duo of the Year: Stray Kids
Song of the Year: “Vampire” by Olivia Rodrigo
Album of the Year: “Guts” by Olivia Rodrigo
Collaboration Song of the Year: “Barbie World” by Nicki Minaj & Ice Spice with Aqua
Concert Tour of the Year: Taylor Swift: The Eras Tour
Social Celebrity of the Year: Taylor Swift
Comedy Act of the Year: “Selective Outrage” by Chris Rock
Bafta Film Awards proved to be an unforgettable evening, with one standout star shining brightly among the winners. Oppenheimer, a mesmerizing film that captivated audiences and critics alike, claimed well-deserved recognition during the ceremony.
Bafta behind the scene : David Tennant’s Canine Companion, Barry Keoghan’s Sophie Ellis-Bextor Fan Moment, and Da’Vine Joy Randolph’s Flirtatious Encounter with Chiwetel Ejiofor: Unforgettable Highlights from the Ceremony.
Bring on the Anglophiles
Robert Downey Jr won best supporting actor for his role in Oppenheimer bafta awards [GETTY IMAGES]
Lack of British Male Nominees and Rosamund Pike’s Perspective: Bafta Celebrates International Talent
This year’s Bafta awards saw an absence of British male nominees in the Best Actor and Supporting Actor categories. Rosamund Pike, a nominee for Best Supporting Actress, expressed her lack of faith in British people rallying around their own on the red carpet but expressed her delight in being nominated.
However, the presence of international stars like Emma Stone and Robert Downey Jr. brought a wave of appreciation from across the pond. Stone, who won Best Actress for her role in “Poor Things,” thanked her dialect coach during her acceptance speech, highlighting the challenges of mastering an English accent. She also learned a new British slang term, “having a chinwag,” backstage.
War Horse
Adding to the transatlantic connection, comedian and actor Keegan-Michael Key presented an award entirely in an English accent, showcasing his versatility. Downey Jr., the recipient of the Best Supporting Actor award, credited Oppenheimer director Christopher Nolan’s “British sensibility” as a contributing factor to his success.
Another US star, Da’Vine Joy Randolph, showcased her passion for British culture. With roots in London’s West End and training at the British American Drama Academy in Oxford, Randolph expressed her deep appreciation for British theater. She recalled being profoundly moved by the production of “War Horse” at the National Theatre, a transformative experience that led her to pursue a career in the UK.
The Bafta awards celebrated the international nature of talent, showcasing the influence and cross-cultural connections between the British and American entertainment industries.
More Da’Vine Joy
,Da’Vine seemed thrilled with her new companion[GETTY IMAGES]
Earlier in the evening, the talented actress took the stage to accept her well-deserved award for Best Supporting Actress, honoring her portrayal of the grieving mother, Mary, in the film “The Holdovers.”
In a delightful moment, as she approached the stage to receive the prize from acclaimed actor Chiwetel Ejiofor, she couldn’t resist complimenting him, saying, “You’re so handsome.” Indeed, Ejiofor looked impeccable in a timeless black tuxedo by Lanvin.
Her emotions overflowed as she expressed her gratitude for her co-star, Paul Giamatti, and once more when she spoke about the depth of her character. With heartfelt sincerity, she acknowledged the countless Marys throughout history who never had the opportunity to grace a stage in London, wearing a beautiful gown. She acknowledged the weighty responsibility she felt in portraying Mary’s story, a responsibility she did not take lightly. Her words resonated deeply, evoking emotions in the audience, and many found themselves welling up alongside her.zAdding a touch of humor, she later brought laughter to journalists when she playfully used a well-known British word beginning with ‘b’ in response to a question about the unconventional decision to release “The Holdovers” in the UK in January, despite its Christmas setting. The word choice brought lightness and amusement to the conversation, leaving no doubt as to the word’s meaning and eliciting joyous laughter from those present.
Shout-out to the Oppenhomies
In a memorable moment, Best Actor winner Cillian Murphy left his teenage sons cringing as he affectionately referred to his colleagues as “Oppenhomies” during his acceptance speech—a gesture that delighted the audience.
Notably, Murphy became the first Irish-born performer to receive the prestigious Best Actor Bafta award. Expressing his immense pride, he shared, “As a proud Irishman, this means a great deal to me.” He went on to express his gratitude for the overwhelming support he received, with people approaching him on the streets, claiming to have seen his film “Oppenheimer” multiple times—five, six, or even seven times. Murphy humbly acknowledged the impact of such dedication, finding it both humbling and inspiring. He concluded by celebrating the remarkable year that cinema had witnessed.
Considering the film’s lengthy runtime of three hours, the idea of watching it six or seven times might indeed be a bit too much for most.
Tennant triumph
David Tennant also brought along doggy accessories [GETTY IMAGES]
This year, host David Tennant charmed audiences with his infectious enthusiasm and a genuinely funny script, proving to be an all-round success. His natural charisma captivated viewers, and his ability to infuse humor into the event was widely appreciated. Notably, Tennant’s fashion choices stood out, as he fearlessly sported a combination of kilt, sporran, and sparkly epaulettes—a unique ensemble that only a few could carry off with such flair.
Adding to the delightful atmosphere, Tennant brought a furry companion to the Baftas—a dog named Bark Ruffalo, cleverly playing on the canine theme that has been prevalent throughout this awards season. This playful touch added an extra dose of charm to the event, reminiscent of the dog from “Anatomy of a Fall” who made an appearance at the Oscars luncheon the previous week.
Tennant’s humor extended to the audience as well. He playfully referred to Margot Robbie and Ryan Gosling as the “Barbie crew,” introducing them as the camera panned to their stunning presence. The mention of “the ugly corner” added a humorous twist to the glamorous setting. As a fitting conclusion, Tennant signed off the show with the iconic line, “Come on Barbie, let’s go party,” leaving a lasting impression and providing another memorable highlight of the evening.
Michael J Fox was a moment
Despite not being on the confirmed guest list ahead of the awards, the presence of Back to the Future legend Michael J. Fox as a presenter for the Best Picture award was an exhilarating surprise. The audience erupted in a standing ovation for the beloved star, who has been battling Parkinson’s disease since his diagnosis at the young age of 29. Given his rare public appearances, seeing him on the stage was truly a thrill.
In the years since his diagnosis, now at the age of 62, Fox has become a dedicated advocate for Parkinson’s research. Through The Michael J. Fox Foundation, he has raised millions of dollars for research into finding a cure and has worked tirelessly to raise awareness about the disease. His commitment and resilience resonate deeply with people around the world.
The impact of Fox’s appearance was palpable, reaching beyond the confines of the Baftas ceremony. Many individuals took to social media, sharing how his presence on stage moved them to tears. It served as a poignant reminder of his enduring spirit and his unwavering dedication to making a difference in the lives of those affected by Parkinson’s disease.
Saltburn’s night was bittersweet
,Sophie Ellis-Bextor performed with a troupe of voguing dancers [ GETTY IMAGES ]
Emerald Fennell’s Thriller Dominates Headlines, Sophie Ellis Bextor Adds Sparkle
Despite not winning any of its five nominations, Emerald Fennell’s twisted thriller continued to make waves and dominate headlines at the Baftas. One standout moment was when Sophie Ellis Bextor took the stage to perform her hit song “Murder on the Dancefloor.” The 2002 track experienced a resurgence in popularity after being featured in the film’s notorious final scene, where Barry Keoghan’s character, Oliver, dances unclothed around his grand estate.
Fortunately, Keoghan opted not to re-enact his character’s performance and remained comfortably seated. However, the camera did capture his enjoyment of the energetic performance, providing a glimpse of his enthusiastic response. The combination of Fennell’s captivating film and Ellis Bextor’s lively performance added an extra layer of excitement to the evening, ensuring that the film’s presence lingered in the minds of both attendees and viewers alike.
Hugh Grant’s deadpan delight
Rhyme and Serious Themes at the Baftas: Grant’s Playful Presentation and Thought-Provoking Winners
Hugh Grant, despite facing some initial criticism for his role as an Oompa-Loompa in the hit film “Wonka,” delighted the audience with a rhyming presentation as he announced the Best Director award. In keeping with his character, Grant playfully recited, “Oompa-Loompa, doompity-dee, now the best director categor-ee, Oompa Loompa doompity-dong, most of these films were frankly too long, Oompa Loompa doompity daa, but for some reason, the nominees are…” His lighthearted approach added an element of charm to the ceremony.
War in the spotlight
However, amidst the fun and frivolity, the Baftas also delved into serious themes. “The Zone of Interest” emerged as a standout, winning three awards, including Outstanding British Film. The chilling story revolves around the head of Auschwitz, who resides next to the death camp with his young family. During his acceptance speech for Best Film Not in the English Language, producer James Wilson shared a poignant insight. He mentioned a letter he received from a friend who couldn’t stop contemplating the metaphorical walls people choose not to look behind in their lives. Wilson drew attention to the importance of caring about innocent lives lost in various conflict zones, from Gaza and Yemen to Mariupol and Israel, highlighting the shared responsibility to value humanity globally.
“20 Days in Mariupol” claimed the Best Documentary award. Director Mstyslav Chernov, in an emotional interview with the BBC’s Colin Paterson, expressed his hope to be alive by the next Baftas. The film captures the harrowing experiences of a group of Ukrainian journalists trapped in the besieged city of Mariupol during the Russian invasion. Chernov emphasized the significance of giving voice to Ukrainians and continuing to shed light on the ongoing situation. Grateful for the support of the people of Mariupol, he dedicated the award to them, acknowledging their assistance and resilience throughout the journey.
The Baftas, therefore, offered a blend of entertainment and thought-provoking content, encompassing both playful moments and profound reflections on the current state of the world.
Samantha Morton dedicates award to children in care
[GETTY IMAGES]
Bafta Fellowship for Samantha Morton and Representation in the Industry
Samantha Morton, known for her successful TV career in shows like “The Walking Dead” and her roles in films such as “Minority Report” and “Fantastic Beasts and Where to Find Them,” received the prestigious Bafta Fellowship, the highest honorary accolade of the organization. During her acceptance speech, Morton shared the importance of representation for individuals from her background in films and television.
Recalling the impact of watching Ken Loach’s “Kes” in her classroom, Morton expressed how seeing poverty and characters like herself on the screen had a profound effect on her. She emphasized that representation matters and dedicated her award to every child who has been in or is currently in the care system, acknowledging their struggles and resilience.
In reflecting on her journey, Morton stated that film had transformed her life and led her to this moment. She stressed the power of storytelling to change lives and encouraged her younger self and others to persevere, emphasizing their significance and value.
Speaking backstage, Morton addressed challenges faced by the British film industry, calling for the recognition and investment in homegrown productions rather than solely serving as a service industry for American projects. She highlighted the need for a dedicated cultural and sports minister and a deeper understanding of the billion-dollar industry’s potential.
Matthew Perry upset
In a separate incident, there was some concern regarding Matthew Perry, the former Friends star, not being mentioned in the In Memoriam segment. However, Bafta clarified that Perry would be included in the obituary montage for its television awards taking place in May.
The Baftas not only recognized Morton’s outstanding career but also highlighted the importance of representation and the need for support and investment in the British film industry.
Paramount Pictures’ biopic on Bob Marley, titled ‘One Love,’ surpassed projections by claiming the top spot at the box office, earning an impressive $27.7 million during its opening weekend
This image released by Paramount Pictures shows Kingsley Ben-Adir in “Bob Marley: One Love.” (Chiabella James/Paramount Pictures via AP)
In a surprising turn, Paramount Pictures’ biographical film on Bob Marley, titled “Bob Marley: One Love,” exceeded expectations by debuting at the top spot in the box office with an impressive $27.7 million opening weekend. Conversely, Sony’s “Madame Web” failed to capture audience interest, marking one of the weakest openings for a Marvel character-centered movie.
Both films hit theaters on Valentine’s Day, aiming to attract romantic moviegoers, but it was “One Love” that emerged as the preferred choice despite facing predominantly negative reviews. Paramount had initially projected a six-day total closer to $30 million for “One Love,” but the actual turnout surpassed expectations, drawing viewers from various age groups, with the 18 to 24 demographic comprising the largest segment.
Directed by Reinaldo Marcus Green and produced with the involvement of the Marley estate, “One Love” explores pivotal moments in Bob Marley’s life, particularly during the creation of his iconic 1977 album “Exodus” and a significant concert in Jamaica. Despite criticism for adhering to biopic conventions, the film received an “A” CinemaScore from audiences, indicating strong potential for its theatrical run.
On the other hand, “Madame Web” struggled to gain traction, with Sony estimating a disappointing $15.2 million weekend and a six-day total of $25.8 million. The film, part of Sony’s Spider-Man universe, failed to overcome negative pre-release buzz, despite featuring Dakota Johnson as a New York paramedic with clairvoyant abilities.
The underperformance of “Madame Web” adds to the challenges facing Hollywood in 2024, with overall ticket sales down 15% compared to the previous year. However, anticipation remains high for upcoming releases like “Dune: Part Two,” set to hit theaters on March 1. Until then, “Bob Marley: One Love” continues to lead the box office charts, offering a musical journey into the life of a reggae legend.
Left: Alaqua Cox poses at the IMDb Official Portrait Studio (Corey Nickols/Getty Images for IMDb). Right: Alaqua Cox with cast members and Kevin Feige, president and chief creative officer of Marvel Studios, speak onstage during D23 Expo (Jesse Grant/Getty Images for Disney).
In 2020, Disney+ unveiled the Hawkeye series, spotlighting the beloved character from the Marvel Cinematic Universe films. Alongside this series debut emerged Maya Lopez, an antihero who is Native American, deaf, and an amputee. Portraying her was Alaqua Cox, an actress embodying all three characteristics. It marked the inaugural instance of a Native American character taking a central role in a Marvel Studios project.
Before completing filming for the Hawkeye series, Cox received news of an even more groundbreaking venture for her character. Marvel Studios greenlit the Echo series, dedicated entirely to Cox’s character. Premiering in January of the current year, this five-episode arc represents the first Marvel Studios project to revolve around a Native American character.
“Hawkeye is my initiation into acting,” Cox shared with The Hollywood Reporter following the Echo announcement. “And now, I’m getting my own show in the MCU? It’s surreal.”
Raised in the Menominee Indian reservation in Keshena, Wisconsin, Cox is of Menominee and Mohegan descent. After graduating from the Wisconsin School for the Deaf, she held positions at a nursing home and with delivery companies such as Amazon and FedEx.
Unlike many peers her age, Cox never harbored ambitions of being in front of the camera. In fact, she had only played a minor role in a high school play. Her trajectory shifted in 2019 and 2020 when friends alerted her to a casting call seeking a deaf, Native American actor to portray a superhero in a Marvel Studios project.
Before she knew it, Cox found herself in a Zoom meeting with Marvel executives, securing the role. Marvel Studios had cast precisely the talent they sought: an actress authentic to the fictional character.
“Alaqua is truly one-of-a-kind,” remarked Marvel’s head of casting, Sarah Finn, to The Hollywood Reporter. “She underwent an extensive audition process, and we were all rooting for her from the start.”
Following the Echo announcement’s widespread attention, Cox embarked on her first leading role, collaborating with acting veterans like Vincent D’Onofrio and Charlie Cox. The show’s cast and crew were committed to ensuring authenticity and broadening representation for Native American and deaf communities. Indigenous and deaf actors were cast for corresponding roles, crew members underwent American Sign Language (ASL) training, and Navajo native Sydney Freeland was enlisted as director. Additionally, consultations with the Choctaw Nation, the fictional character’s origin, ensured accurate on-screen representation of Lopez.
Combining these efforts with a commitment to representation resulted in a story faithful to its dialogue, character development, costumes, languages, interactions, and minutiae.
Reflecting on the endeavor with the Choctaw Nation, Freeland emphasized to Variety, “Representation was paramount to myself and the entire crew…I made it clear that we were there to engage in dialogue, not dictate. Our aim was to incorporate their input and create a more authentic portrayal of the Choctaw people and culture.”
While plans for a second season or other projects for Cox remain undisclosed, shows like Echo aspire to advance representation for Native American communities and individuals with disabilities. Cox is eager to contribute to this mission within one of today’s most renowned film franchises.
“I firmly believe that children deserve to witness inclusivity and accurate representation,” Cox shared with The Hollywood Reporter. “It will empower individuals of diverse cultures and abilities, fostering a belief that our aspirations can transcend limitations.
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