Renner said the past year had been “a heck of a journey” as he presented the first award of the ceremony [GETTY IMAGES ]
Actor Jeremy Renner Receives Rapturous Reception at People’s Choice Awards, Triumphing Over a Year of Recovery from a Horrific Snow Plough Accident
Actor Jeremy Renner Receives Heartwarming Applause at the People’s Choice Awards, Overcoming a Challenging Journey of Recovery from a Snow Plough Accident
With immense resilience and determination, Jeremy Renner, known for his role as Hawkeye, triumphantly returned to the stage at the People’s Choice Awards after enduring a harrowing accident involving his own snow plough last January, resulting in over 30 broken bones.
As he graced the stage on Sunday’s ceremony, Renner expressed his gratitude, stating, “I’ve got to say, it feels good to be back.” The audience, including his fellow Marvel star Tom Hiddleston, honored him with a standing ovation, which deeply touched the actor. Moved by the enthusiastic response, Renner acknowledged, “The fans rock, I’ll tell you what. This year’s been a heck of a journey, and I’m happy to be here with you, the fans. You guys are the best.”
During the event, Renner also had the honor of presenting the TV performance of the year award to Billie Eilish for her exceptional work in the comedy horror show Swarm.
Renner’s fellow Marvel star Tom Hiddleston greeted him after Renner had presented the award [GETTY IMAGES ]
The People’s Choice Awards, hosted by another Marvel star, Simu Liu from Shang-Chi, welcomed Renner with great excitement. Liu’s introduction celebrated Renner’s return, expressing immense joy at having him back at the event. He urged the audience to make as much noise as possible, demonstrating their unwavering support for Jeremy Renner.
In a recent interview with Entertainment Tonight, Renner shared insights into his recovery journey, revealing that he had made significant progress, accomplishing about 90% of the necessary tasks. He emphasized that recovery is an ongoing process, intertwined with his commitment to health and wellness. Looking forward, Renner expressed enthusiasm about constantly improving, growing stronger, and embracing a happier, healthier life.
People’s Choice Awards: in Pictures
Billie Eilish won TV performance of the year for her work on Swarm [REUTERS ]Ice Spice (left) won new artist of the year, while Rachel Zegler was named best action movie star [REUTERS ]America Ferrera won movie performance of the year for Barbie, which also won best movie[GETTY IMAGES ]The Little Mermaid star Halle Bailey and Euphoria’s Sydney Sweeney also attended the event in Santa Monica, California [REUTERS ]Loki, starring Tom Hiddleston (left), won best sci-fi show, while Shang-Chi’s Simu Liu hosted the ceremony [GETTY IMAGES ]
The winners in full:
Movie of the Year: Barbie
Action Movie of the Year: The Hunger Games: The Ballad of Songbirds & Snakes
Comedy Movie of the Year: Barbie
Drama Movie of the Year: Oppenheimer
Male Movie Star of the Year: Ryan Gosling (Barbie)
Female Movie Star of the Year: Margot Robbie (Barbie)
Action Movie Star of the Year: Rachel Zegler (The Hunger Games: The Ballad of Songbirds & Snakes)
Comedy Movie Star of the Year: Jennifer Lawrence (No Hard Feelings)
Drama Movie Star of the Year: Jenna Ortega (Scream VI)
Movie Performance of the Year: America Ferrera (Barbie)
TV Show of the Year: Grey’s Anatomy
Comedy Show of the Year: Only Murders in the Building
Drama Show of the Year: The Last of Us
Sci-Fi/Fantasy Show of the Year: Loki
Reality Show of the Year: The Kardashians
Competition Show of the Year: The Voice
Bingeworthy Show of the Year: The Summer I Turned Pretty
Male TV Star of the Year: Pedro Pascal (The Last of Us)
Female TV Star of the Year: Selena Gomez (Only Murders in the Building)
Comedy TV Star of the Year: Jeremy Allen White (The Bear)
Drama TV Star of the Year: Jennifer Aniston (The Morning Show)
TV Performance of the Year: Billie Eilish (Swarm)
Reality TV Star of the Year: Khloé Kardashian (The Kardashians)
Competition Contestant of the Year: Ariana Madix (Dancing with the Stars)
Daytime Talk Show of the Year: The Kelly Clarkson Show
Nighttime Talk Show of the Year: The Tonight Show Starring Jimmy Fallon
Host of the Year: Jimmy Fallon (That’s My Jam)
Male Artist of the Year: Jung Kook
Female Artist of the Year: Taylor Swift
Male Country Artist of the Year: Jelly Roll
Female Country Artist of the Year: Lainey Wilson
Male Latin Artist of the Year: Bad Bunny
Female Latin Artist of the Year: Shakira
Pop Artist of the Year: Taylor Swift
Hip-Hop Artist of the Year: Nicki Minaj
R&B Artist of the Year: Beyoncé
New Artist of the Year: Ice Spice
Group/Duo of the Year: Stray Kids
Song of the Year: “Vampire” by Olivia Rodrigo
Album of the Year: “Guts” by Olivia Rodrigo
Collaboration Song of the Year: “Barbie World” by Nicki Minaj & Ice Spice with Aqua
Concert Tour of the Year: Taylor Swift: The Eras Tour
Social Celebrity of the Year: Taylor Swift
Comedy Act of the Year: “Selective Outrage” by Chris Rock
Bafta Film Awards proved to be an unforgettable evening, with one standout star shining brightly among the winners. Oppenheimer, a mesmerizing film that captivated audiences and critics alike, claimed well-deserved recognition during the ceremony.
Bafta behind the scene : David Tennant’s Canine Companion, Barry Keoghan’s Sophie Ellis-Bextor Fan Moment, and Da’Vine Joy Randolph’s Flirtatious Encounter with Chiwetel Ejiofor: Unforgettable Highlights from the Ceremony.
Bring on the Anglophiles
Robert Downey Jr won best supporting actor for his role in Oppenheimer bafta awards [GETTY IMAGES]
Lack of British Male Nominees and Rosamund Pike’s Perspective: Bafta Celebrates International Talent
This year’s Bafta awards saw an absence of British male nominees in the Best Actor and Supporting Actor categories. Rosamund Pike, a nominee for Best Supporting Actress, expressed her lack of faith in British people rallying around their own on the red carpet but expressed her delight in being nominated.
However, the presence of international stars like Emma Stone and Robert Downey Jr. brought a wave of appreciation from across the pond. Stone, who won Best Actress for her role in “Poor Things,” thanked her dialect coach during her acceptance speech, highlighting the challenges of mastering an English accent. She also learned a new British slang term, “having a chinwag,” backstage.
War Horse
Adding to the transatlantic connection, comedian and actor Keegan-Michael Key presented an award entirely in an English accent, showcasing his versatility. Downey Jr., the recipient of the Best Supporting Actor award, credited Oppenheimer director Christopher Nolan’s “British sensibility” as a contributing factor to his success.
Another US star, Da’Vine Joy Randolph, showcased her passion for British culture. With roots in London’s West End and training at the British American Drama Academy in Oxford, Randolph expressed her deep appreciation for British theater. She recalled being profoundly moved by the production of “War Horse” at the National Theatre, a transformative experience that led her to pursue a career in the UK.
The Bafta awards celebrated the international nature of talent, showcasing the influence and cross-cultural connections between the British and American entertainment industries.
More Da’Vine Joy
,Da’Vine seemed thrilled with her new companion[GETTY IMAGES]
Earlier in the evening, the talented actress took the stage to accept her well-deserved award for Best Supporting Actress, honoring her portrayal of the grieving mother, Mary, in the film “The Holdovers.”
In a delightful moment, as she approached the stage to receive the prize from acclaimed actor Chiwetel Ejiofor, she couldn’t resist complimenting him, saying, “You’re so handsome.” Indeed, Ejiofor looked impeccable in a timeless black tuxedo by Lanvin.
Her emotions overflowed as she expressed her gratitude for her co-star, Paul Giamatti, and once more when she spoke about the depth of her character. With heartfelt sincerity, she acknowledged the countless Marys throughout history who never had the opportunity to grace a stage in London, wearing a beautiful gown. She acknowledged the weighty responsibility she felt in portraying Mary’s story, a responsibility she did not take lightly. Her words resonated deeply, evoking emotions in the audience, and many found themselves welling up alongside her.zAdding a touch of humor, she later brought laughter to journalists when she playfully used a well-known British word beginning with ‘b’ in response to a question about the unconventional decision to release “The Holdovers” in the UK in January, despite its Christmas setting. The word choice brought lightness and amusement to the conversation, leaving no doubt as to the word’s meaning and eliciting joyous laughter from those present.
Shout-out to the Oppenhomies
In a memorable moment, Best Actor winner Cillian Murphy left his teenage sons cringing as he affectionately referred to his colleagues as “Oppenhomies” during his acceptance speech—a gesture that delighted the audience.
Notably, Murphy became the first Irish-born performer to receive the prestigious Best Actor Bafta award. Expressing his immense pride, he shared, “As a proud Irishman, this means a great deal to me.” He went on to express his gratitude for the overwhelming support he received, with people approaching him on the streets, claiming to have seen his film “Oppenheimer” multiple times—five, six, or even seven times. Murphy humbly acknowledged the impact of such dedication, finding it both humbling and inspiring. He concluded by celebrating the remarkable year that cinema had witnessed.
Considering the film’s lengthy runtime of three hours, the idea of watching it six or seven times might indeed be a bit too much for most.
Tennant triumph
David Tennant also brought along doggy accessories [GETTY IMAGES]
This year, host David Tennant charmed audiences with his infectious enthusiasm and a genuinely funny script, proving to be an all-round success. His natural charisma captivated viewers, and his ability to infuse humor into the event was widely appreciated. Notably, Tennant’s fashion choices stood out, as he fearlessly sported a combination of kilt, sporran, and sparkly epaulettes—a unique ensemble that only a few could carry off with such flair.
Adding to the delightful atmosphere, Tennant brought a furry companion to the Baftas—a dog named Bark Ruffalo, cleverly playing on the canine theme that has been prevalent throughout this awards season. This playful touch added an extra dose of charm to the event, reminiscent of the dog from “Anatomy of a Fall” who made an appearance at the Oscars luncheon the previous week.
Tennant’s humor extended to the audience as well. He playfully referred to Margot Robbie and Ryan Gosling as the “Barbie crew,” introducing them as the camera panned to their stunning presence. The mention of “the ugly corner” added a humorous twist to the glamorous setting. As a fitting conclusion, Tennant signed off the show with the iconic line, “Come on Barbie, let’s go party,” leaving a lasting impression and providing another memorable highlight of the evening.
Michael J Fox was a moment
Despite not being on the confirmed guest list ahead of the awards, the presence of Back to the Future legend Michael J. Fox as a presenter for the Best Picture award was an exhilarating surprise. The audience erupted in a standing ovation for the beloved star, who has been battling Parkinson’s disease since his diagnosis at the young age of 29. Given his rare public appearances, seeing him on the stage was truly a thrill.
In the years since his diagnosis, now at the age of 62, Fox has become a dedicated advocate for Parkinson’s research. Through The Michael J. Fox Foundation, he has raised millions of dollars for research into finding a cure and has worked tirelessly to raise awareness about the disease. His commitment and resilience resonate deeply with people around the world.
The impact of Fox’s appearance was palpable, reaching beyond the confines of the Baftas ceremony. Many individuals took to social media, sharing how his presence on stage moved them to tears. It served as a poignant reminder of his enduring spirit and his unwavering dedication to making a difference in the lives of those affected by Parkinson’s disease.
Saltburn’s night was bittersweet
,Sophie Ellis-Bextor performed with a troupe of voguing dancers [ GETTY IMAGES ]
Emerald Fennell’s Thriller Dominates Headlines, Sophie Ellis Bextor Adds Sparkle
Despite not winning any of its five nominations, Emerald Fennell’s twisted thriller continued to make waves and dominate headlines at the Baftas. One standout moment was when Sophie Ellis Bextor took the stage to perform her hit song “Murder on the Dancefloor.” The 2002 track experienced a resurgence in popularity after being featured in the film’s notorious final scene, where Barry Keoghan’s character, Oliver, dances unclothed around his grand estate.
Fortunately, Keoghan opted not to re-enact his character’s performance and remained comfortably seated. However, the camera did capture his enjoyment of the energetic performance, providing a glimpse of his enthusiastic response. The combination of Fennell’s captivating film and Ellis Bextor’s lively performance added an extra layer of excitement to the evening, ensuring that the film’s presence lingered in the minds of both attendees and viewers alike.
Hugh Grant’s deadpan delight
Rhyme and Serious Themes at the Baftas: Grant’s Playful Presentation and Thought-Provoking Winners
Hugh Grant, despite facing some initial criticism for his role as an Oompa-Loompa in the hit film “Wonka,” delighted the audience with a rhyming presentation as he announced the Best Director award. In keeping with his character, Grant playfully recited, “Oompa-Loompa, doompity-dee, now the best director categor-ee, Oompa Loompa doompity-dong, most of these films were frankly too long, Oompa Loompa doompity daa, but for some reason, the nominees are…” His lighthearted approach added an element of charm to the ceremony.
War in the spotlight
However, amidst the fun and frivolity, the Baftas also delved into serious themes. “The Zone of Interest” emerged as a standout, winning three awards, including Outstanding British Film. The chilling story revolves around the head of Auschwitz, who resides next to the death camp with his young family. During his acceptance speech for Best Film Not in the English Language, producer James Wilson shared a poignant insight. He mentioned a letter he received from a friend who couldn’t stop contemplating the metaphorical walls people choose not to look behind in their lives. Wilson drew attention to the importance of caring about innocent lives lost in various conflict zones, from Gaza and Yemen to Mariupol and Israel, highlighting the shared responsibility to value humanity globally.
“20 Days in Mariupol” claimed the Best Documentary award. Director Mstyslav Chernov, in an emotional interview with the BBC’s Colin Paterson, expressed his hope to be alive by the next Baftas. The film captures the harrowing experiences of a group of Ukrainian journalists trapped in the besieged city of Mariupol during the Russian invasion. Chernov emphasized the significance of giving voice to Ukrainians and continuing to shed light on the ongoing situation. Grateful for the support of the people of Mariupol, he dedicated the award to them, acknowledging their assistance and resilience throughout the journey.
The Baftas, therefore, offered a blend of entertainment and thought-provoking content, encompassing both playful moments and profound reflections on the current state of the world.
Samantha Morton dedicates award to children in care
[GETTY IMAGES]
Bafta Fellowship for Samantha Morton and Representation in the Industry
Samantha Morton, known for her successful TV career in shows like “The Walking Dead” and her roles in films such as “Minority Report” and “Fantastic Beasts and Where to Find Them,” received the prestigious Bafta Fellowship, the highest honorary accolade of the organization. During her acceptance speech, Morton shared the importance of representation for individuals from her background in films and television.
Recalling the impact of watching Ken Loach’s “Kes” in her classroom, Morton expressed how seeing poverty and characters like herself on the screen had a profound effect on her. She emphasized that representation matters and dedicated her award to every child who has been in or is currently in the care system, acknowledging their struggles and resilience.
In reflecting on her journey, Morton stated that film had transformed her life and led her to this moment. She stressed the power of storytelling to change lives and encouraged her younger self and others to persevere, emphasizing their significance and value.
Speaking backstage, Morton addressed challenges faced by the British film industry, calling for the recognition and investment in homegrown productions rather than solely serving as a service industry for American projects. She highlighted the need for a dedicated cultural and sports minister and a deeper understanding of the billion-dollar industry’s potential.
Matthew Perry upset
In a separate incident, there was some concern regarding Matthew Perry, the former Friends star, not being mentioned in the In Memoriam segment. However, Bafta clarified that Perry would be included in the obituary montage for its television awards taking place in May.
The Baftas not only recognized Morton’s outstanding career but also highlighted the importance of representation and the need for support and investment in the British film industry.
Paramount Pictures’ biopic on Bob Marley, titled ‘One Love,’ surpassed projections by claiming the top spot at the box office, earning an impressive $27.7 million during its opening weekend
This image released by Paramount Pictures shows Kingsley Ben-Adir in “Bob Marley: One Love.” (Chiabella James/Paramount Pictures via AP)
In a surprising turn, Paramount Pictures’ biographical film on Bob Marley, titled “Bob Marley: One Love,” exceeded expectations by debuting at the top spot in the box office with an impressive $27.7 million opening weekend. Conversely, Sony’s “Madame Web” failed to capture audience interest, marking one of the weakest openings for a Marvel character-centered movie.
Both films hit theaters on Valentine’s Day, aiming to attract romantic moviegoers, but it was “One Love” that emerged as the preferred choice despite facing predominantly negative reviews. Paramount had initially projected a six-day total closer to $30 million for “One Love,” but the actual turnout surpassed expectations, drawing viewers from various age groups, with the 18 to 24 demographic comprising the largest segment.
Directed by Reinaldo Marcus Green and produced with the involvement of the Marley estate, “One Love” explores pivotal moments in Bob Marley’s life, particularly during the creation of his iconic 1977 album “Exodus” and a significant concert in Jamaica. Despite criticism for adhering to biopic conventions, the film received an “A” CinemaScore from audiences, indicating strong potential for its theatrical run.
On the other hand, “Madame Web” struggled to gain traction, with Sony estimating a disappointing $15.2 million weekend and a six-day total of $25.8 million. The film, part of Sony’s Spider-Man universe, failed to overcome negative pre-release buzz, despite featuring Dakota Johnson as a New York paramedic with clairvoyant abilities.
The underperformance of “Madame Web” adds to the challenges facing Hollywood in 2024, with overall ticket sales down 15% compared to the previous year. However, anticipation remains high for upcoming releases like “Dune: Part Two,” set to hit theaters on March 1. Until then, “Bob Marley: One Love” continues to lead the box office charts, offering a musical journey into the life of a reggae legend.
Left: Alaqua Cox poses at the IMDb Official Portrait Studio (Corey Nickols/Getty Images for IMDb). Right: Alaqua Cox with cast members and Kevin Feige, president and chief creative officer of Marvel Studios, speak onstage during D23 Expo (Jesse Grant/Getty Images for Disney).
In 2020, Disney+ unveiled the Hawkeye series, spotlighting the beloved character from the Marvel Cinematic Universe films. Alongside this series debut emerged Maya Lopez, an antihero who is Native American, deaf, and an amputee. Portraying her was Alaqua Cox, an actress embodying all three characteristics. It marked the inaugural instance of a Native American character taking a central role in a Marvel Studios project.
Before completing filming for the Hawkeye series, Cox received news of an even more groundbreaking venture for her character. Marvel Studios greenlit the Echo series, dedicated entirely to Cox’s character. Premiering in January of the current year, this five-episode arc represents the first Marvel Studios project to revolve around a Native American character.
“Hawkeye is my initiation into acting,” Cox shared with The Hollywood Reporter following the Echo announcement. “And now, I’m getting my own show in the MCU? It’s surreal.”
Raised in the Menominee Indian reservation in Keshena, Wisconsin, Cox is of Menominee and Mohegan descent. After graduating from the Wisconsin School for the Deaf, she held positions at a nursing home and with delivery companies such as Amazon and FedEx.
Unlike many peers her age, Cox never harbored ambitions of being in front of the camera. In fact, she had only played a minor role in a high school play. Her trajectory shifted in 2019 and 2020 when friends alerted her to a casting call seeking a deaf, Native American actor to portray a superhero in a Marvel Studios project.
Before she knew it, Cox found herself in a Zoom meeting with Marvel executives, securing the role. Marvel Studios had cast precisely the talent they sought: an actress authentic to the fictional character.
“Alaqua is truly one-of-a-kind,” remarked Marvel’s head of casting, Sarah Finn, to The Hollywood Reporter. “She underwent an extensive audition process, and we were all rooting for her from the start.”
Following the Echo announcement’s widespread attention, Cox embarked on her first leading role, collaborating with acting veterans like Vincent D’Onofrio and Charlie Cox. The show’s cast and crew were committed to ensuring authenticity and broadening representation for Native American and deaf communities. Indigenous and deaf actors were cast for corresponding roles, crew members underwent American Sign Language (ASL) training, and Navajo native Sydney Freeland was enlisted as director. Additionally, consultations with the Choctaw Nation, the fictional character’s origin, ensured accurate on-screen representation of Lopez.
Combining these efforts with a commitment to representation resulted in a story faithful to its dialogue, character development, costumes, languages, interactions, and minutiae.
Reflecting on the endeavor with the Choctaw Nation, Freeland emphasized to Variety, “Representation was paramount to myself and the entire crew…I made it clear that we were there to engage in dialogue, not dictate. Our aim was to incorporate their input and create a more authentic portrayal of the Choctaw people and culture.”
While plans for a second season or other projects for Cox remain undisclosed, shows like Echo aspire to advance representation for Native American communities and individuals with disabilities. Cox is eager to contribute to this mission within one of today’s most renowned film franchises.
“I firmly believe that children deserve to witness inclusivity and accurate representation,” Cox shared with The Hollywood Reporter. “It will empower individuals of diverse cultures and abilities, fostering a belief that our aspirations can transcend limitations.
Simone Biles of the United States on the podium with her gold medal after her victory in the Women’s Balance Beam Final at the Artistic Gymnastics World Championships-Antwerp 2023 at the Antwerp Sportpaleis on October 8th, 2023 in Antwerp, Belgium. (Photo by Tim Clayton/Corbis via Getty Images)
In the realm of gymnastics, where precision meets elegance, Simone Biles has engraved her name in the annals of history as the most decorated gymnast of all time. As the world gears up to commemorate Black History and Heritage Month, it’s apt to cast a spotlight on this extraordinary athlete whose journey is nothing short of inspiring.
Born on March 14, 1997, in Columbus, Ohio, Simone Biles burst onto the global gymnastics scene at the tender age of 6, exhibiting a blend of power, composure, and exceptional skill. Her path to becoming the most decorated gymnast commenced long before the record books took note.
Biles’ gymnastics odyssey commenced in her early years, catching the eye of coach Aimee Boorman and her mother during a preschool outing to Boorman’s gym. It became apparent swiftly that she possessed an innate talent that set her apart. Her formative years in the sport laid the groundwork for a series of groundbreaking accomplishments. Fueled by determination and an unyielding work ethic, Biles swiftly rose through the ranks of the gymnastics realm.
The pivotal moment in Biles’ trajectory arrived at the 2013 World Artistic Gymnastics Championships in Antwerp, Belgium, where she clinched her inaugural all-around title. This triumph heralded the dawn of an era dominated by Biles, a gymnast who redefined the boundaries of the sport. Biles, not only a record-breaking gymnast but also a beacon of authenticity and resilience, has been vocal about the significance of mental well-being. Reflecting on the pressures of elite competition, Biles candidly shared with US Magazine, “My mental health is paramount over any medal. I’m confident I made the right choice for myself, and my well-being outweighs any accolade.”
This ethos underscores Biles’ commitment to prioritizing mental health over external expectations, a stance resonating throughout the sports sphere. As she gracefully defies gravity in her routines, Biles concurrently dismantles stigmas surrounding mental health, showcasing that strength transcends the physical domain.
Fast-forward to the 2023 season, and Simone Biles has officially shattered records by ascending as the most decorated gymnast in history. Her journey to this zenith involved pushing the limits of gymnastics, both physically and artistically. Biles’ routines epitomize her innovation, featuring awe-inspiring flips, twists, and combinations that mesmerize audiences and judges alike.
Beyond the applause and accolades, Biles has evolved into a symbol of resilience and empowerment. Her advocacy for mental health and candid discussions about the pressures confronting elite athletes have ignited crucial dialogues within and beyond the sports community. In moments of vulnerability, Biles has exemplified that true strength transcends physical prowess.
As we commemorate Black History and Heritage Month, Simone Biles emerges not solely as a sports luminary but also as a trailblazer who shattered barriers and kindled inspiration among a generation of aspiring athletes. Her impact extends far beyond the confines of the gymnastics arena, reshaping our perceptions of dedication, passion, and the pursuit of excellence.
In a sport where precision reigns supreme, she has not only defied gravity but also broadened the horizons for future generations. As we bear witness to her historic feats, let us pause to acknowledge the magnitude of Biles’ contribution to the gymnastics realm and the enduring legacy she imprints on the broader tapestry of sports history.
Movie-goers wait in line in front of an advertisement for Mel Gibson’s “The Passion of the Christ” at a theater in New York City, on Feb. 25, 2004. (Stephen Chernin/Getty Images)
A recent study reveals a widespread desire among audiences for more authentic portrayals of faith and religion in movies and TV shows. Conducted by market research firm HarrisX in collaboration with the non-profit Faith and Media Initiative, the Global Faith and Entertainment Study surveyed nearly 10,000 people across 11 countries. It found that 80 percent of global audiences are calling for improvements in how faith is depicted in entertainment.
Participants in the study noted that their religious beliefs are often underrepresented in entertainment compared to other aspects of their identity, such as gender, race, or sexual orientation. When religion is portrayed, respondents felt it was typically done inadequately.
In the United States, 69 percent of viewers feel that the entertainment industry perpetuates religious stereotypes and sensationalizes religious identity. This sentiment is echoed globally, with 63 percent of respondents expressing similar views.
Presenting their findings during the inaugural Spirituality & Faith in Entertainment Breakfast in Los Angeles on Feb. 13, the Faith and Media Initiative discussed the study’s implications. Dritan Nesho, CEO of HarrisX, explained that the study builds upon the 2022 Global Faith and Media Study, which highlighted shifts in media coverage of spirituality, faith, and religion.
According to Nesho, there has been a decline in the media’s ability to cover these topics effectively. He pointed out that people often turn to entertainment rather than news for learning opportunities.
However, the Global Faith and Entertainment Study also revealed a significant demand for positive spiritual content in entertainment. Respondents expressed a desire for more uplifting themes rather than the common negative portrayals of conflict, power, and war seen in films and TV shows.
Nesho sees this unmet consumer need as both a business opportunity and a chance to foster better understanding among people of different beliefs, especially in today’s conflict-driven world.
Several celebrities, including Rainn Wilson and Hilary Swank, discussed the role of religion in film and television during the Spirituality & Faith in Entertainment Breakfast. Swank stars in the upcoming film ‘Ordinary Angels,’ based on the true story of Sharon Steves, a recovering alcoholic who finds renewed purpose through faith.
Swank emphasized the film’s portrayal of the power of community and acts of service. Wilson, known for his role in ‘The Office’ and his involvement in the Baha’i Faith, shared his own journey with spirituality in the media and highlighted the importance of exploring these themes.
Wilson, who co-founded the media company SoulPancake, sees storytelling as a way to explore the human condition and promote positivity and understanding.
Co-Founder and Executive Chef of Slapfish restaurant Andrew Gruel at the Huntington Beach location, Calif., on June 7, 2021. (John Fredricks/The Epoch Times)
Andrew Gruel has expressed his disapproval of Rep. Barbara Lee’s suggestion to raise the federal minimum wage to $50 per hour, stating it would “completely decimate every single business in the state of California.”
During a debate for the late Sen. Dianne Feinstein’s vacant seat in the Senate, Lee, a former mayor of Oakland, defended her proposal, citing her experience running a small business for 11 years and claimed to have created “hundreds of jobs.”
Gruel criticized Lee’s proposal, stating it would lead to the closure of every restaurant overnight. He questioned why a $50 minimum wage hadn’t been implemented for government jobs, suggesting it’s because they can’t afford it. He proposed cutting payroll taxes instead to put more money in workers’ pockets.
Gruel, who owns several California-based restaurants, reiterated his concerns on Fox News, accusing Lee of seeking votes through her proposal and predicting it would inflate the economy and eliminate independent businesses, likening it to “communism-lite.”
He also highlighted the challenges of doing business in California, citing increased crime rates and high tax rates, likening it to “gambling in a haunted casino.”
California recently raised its minimum wage to $20 per hour for fast-food employees, with Governor Gavin Newsom emphasizing it gives workers a “stronger seat at the table.”
Lee’s proposal of a $50 minimum wage is significantly higher than the current national minimum wage of $7.25 an hour. Other politicians, like Reps. Adam Schiff and Katie Porter, have suggested minimum wages ranging from $20 to $25 per hour.
Republican candidate Steve Garvey opposed further increases, arguing it would raise costs for consumers. Gruel agreed, explaining the substantial impact on restaurant costs and prices if the minimum wage were doubled.
The south Asian underground music scene is rapidly growing [AIYUSH PACHNANDA ]
South Asian Music’s Struggle for Mainstream Recognition Despite TikTok’s Popularity
A Vibrant Fusion of Sounds and Cultures: South Asian DJs Redefine Musical Boundaries
In a club in west London on a lively Saturday night, an electrifying musical showdown unfolds as South Asian DJs blend sounds, cultures, and beats seamlessly.
Amidst the pulsating music, a young man passionately exclaims, “This is more than just music; it’s a celebration of my culture and identity.”
As the crowd sways to an eclectic mix of global chart-toppers, iconic Bollywood melodies, energetic bhangra rhythms, and an array of captivating sounds, DJ D-lish proudly states that she is pushing the boundaries of what South Asian music represents.
Striving for Mainstream Recognition: South Asian Artists’ Uphill Battle
Alisha, a talented 25-year-old artist, known by her real name, is just one among numerous South Asian musicians endeavoring to bring their music into the mainstream.
Despite cultivating a dedicated underground music scene with a fervent following, Asian artists continue to grapple with the arduous task of breaking into the charts. This challenge persists despite Asians comprising nearly 10% of the British population.
While other musical subcultures like Grime enjoy their heyday, Asian-influenced music seems to have been left behind, struggling to gain momentum.
Back in 2002, Panjabi MC’s bhangra hit “Mundian To Bach Ke” stormed the music scene, selling a remarkable 10 million copies worldwide and becoming one of the best-selling singles of all time.
However, what could have marked the beginning of a thriving era for Asian artists turned out to be nothing more than a fleeting success, a mere one-hit wonder.
Fast forward two decades, and the problem lingers—a limited number of British Asian artists have managed to secure top 40 singles, with even fewer songs infused with an Asian-influenced sound making their way into the charts.
Prejudged Without Uttering a Word
Singer-songwriter Jay Sean Opens Up About Preconceived Notions
In an interview with BBC News, singer-songwriter Jay Sean candidly shares his experience of facing confusion and preconceived notions when he began performing in the early 2000s.
“People were perplexed,” he reveals. “As soon as they saw a brown kid like me, they would immediately jump to conclusions about the type of music I was going to play. I was judged before I even had the chance to utter a single word,” he explains.
Jay Sean said people would always make assumptions about his music based on the way he looked[ GETTY IMAGES]
Challenging Stereotypes: Artists Navigate Prejudice in the Music Industry
Renowned for his 2009 hit “Down,” British Asian R&B artist Jay Sean reveals that even after signing with a label, he encountered frustrating encounters where he was subjected to “dumb questions.” He attributes this to a prevailing lack of understanding about South Asian culture among label producers.
Likewise, musician Naughty Boy, known for collaborations with Emeli Sande and Sam Smith, shares a similar experience of being pigeonholed due to his ethnicity as a brown, Muslim artist.
Despite achieving a UK number one hit with “La La La” and securing five additional UK top 10s, Naughty Boy recounts being advised to “dilute” his sound to cater to mainstream expectations and increase chart success. However, he remained steadfast in staying true to his unique musical style, always embracing an unapologetic approach.
Both artists have adopted stage names distinct from their given names, clarifying that this choice is not an attempt to conceal their heritage but rather a creative decision that goes beyond cultural labels.
,Naughty Boy has been making music for over a decade[BBC]
Overcoming Stereotypes: Artists Champion South Asian Talent and Mainstream Recognition
Naughty Boy explains that his decision to adopt a stage name was not to seek validation through his identity but rather to ensure that his music is heard without preconceived judgments. His intention is for the world to experience his music authentically.
Both Naughty Boy and Jay Sean have taken matters into their own hands by establishing their own record labels, providing a platform for emerging South Asian artists. Their goal is to pave the way for more South Asian talent to receive recognition on mainstream platforms.
Sean emphasizes his unwavering determination to witness greater representation of South Asian artists in mainstream music. Drawing inspiration from the success of Spanish music and Afrobeats within the British audience, he firmly believes that South Asian music can achieve the same level of mainstream popularity.
Their collective efforts reflect a commitment to breaking barriers and challenging the existing norms, as they strive to create a more inclusive and diverse music industry.
‘The media turns a blind eye’
Expanding South Asian Music Scene Sparks Label Interest and Calls for Infrastructure Support
With the growing prominence of the South Asian underground music scene, record labels are recognizing its popularity and demonstrating a heightened commitment to signing South Asian artists.
Vishal Patel, co-founder of 91+, an independent label established specifically to address a void in the industry, focuses exclusively on signing artists of South Asian heritage. He highlights the struggle South Asian artists face in achieving mainstream recognition, attributing it to a lack of infrastructure.
“The scarcity of media executives from South Asian backgrounds who possess the operational expertise to promote this music is a significant obstacle,” Patel explains. He further acknowledges that many executives lack an understanding of South Asian culture, leading them to overlook its potential.
Drawing parallels to the experiences of black British artists who faced similar challenges, Patel emphasizes the need for unity and support within the industry. He believes that labels, media outlets, and streaming services played a crucial role in elevating Grime music to its current cool status. Similarly, he calls for industry insiders who will champion South Asian musicians and help them break through barriers.
These developments reflect a growing recognition of the untapped potential within the South Asian music scene and the necessity of fostering a supportive environment to propel it towards mainstream success.
Music executives are using social media as a tool to find up-and-coming South Asian artists [AIYUSH PACHNANDA]
Jasmine Takhar, presenter of the BBC’s Introducing show on the Asian Network, has played a vital role in providing a platform for over 500 South Asian artists through her show.
According to Takhar, there exists a widespread “ignorance” regarding the type of music created by South Asian artists. She asserts that the talent is undoubtedly present, yet questions why South Asian artists are not regularly heard on the radio or promoted on platforms like Spotify.
Takhar highlights an unfortunate reality where she has encountered artists with millions of social media followers who remain relatively unknown in the mainstream due to what she perceives as the media’s disregard for their work.
Her observations shed light on the need for increased visibility and recognition of South Asian artists in mainstream media spaces, emphasizing the importance of platforms like her show in bridging this gap and providing a much-needed spotlight on their talent.
A new Asian sound
A Rising Social Media Sensation: Girls Like You, the South Asian Girl Band
Girls Like You, a girl band consisting of four talented women aged between 20 and 25, all of South Asian heritage, has achieved significant fame through social media platforms. The band’s remarkable journey began when they were discovered on Instagram by Vishal’s record label.
With multiple viral moments on platforms like Instagram and TikTok, Girls Like You have captivated audiences with their unique talent and infectious performances. Their social media presence has garnered widespread attention and propelled them into the spotlight.
As a South Asian girl band, Girls Like You represents a fresh and diverse voice in the music industry, resonating with audiences who appreciate their cultural heritage and musical artistry. Their rise to fame serves as a testament to the power of social media in providing opportunities for artists to gain recognition and connect with a global fanbase.
Girls Like You make music in English, Hindi, Urdu and Punjabi [ GIRLS LIKE YOU]
A Cross-Cultural Blend: Girls Like You’s Viral Success and Breaking Stereotypes
In their latest achievement, the girl group Girls Like You achieved a remarkable six million views on their remix of Bollywood’s “Yeh Ka Hua” and Ne-Yo’s R&B classic “So Sick.” The band’s music represents a fusion of cultures, blending languages and sounds to create a unique musical experience.
Band member Jaya explains their approach, stating, “We love to combine pop music with bhangra, like mixing Bollywood and Beyoncé.” This integration of Bollywood influences into Western music is not entirely new, as several popular pop songs have previously incorporated samples from India’s renowned film industry. For instance, Britney Spears’ “Toxic” sampled a 1981 Hindi song by Lata Mangeshkar, while the Black Eyed Peas incorporated a famous song by Asha Bhosle in “Don’t Phunk with My Heart.”
Girls Like You aims to challenge stereotypes surrounding British Asian women and has amassed a truly global following on social media. Yasmin, another member of the group, affirms their commitment to breaking barriers and emphasizes their aspiration to translate their social media success into chart-topping hits. They firmly believe that the current climate is conducive to the success of South Asian artists.
In addition to the impact of social media, music festivals are also making concerted efforts to increase the diversity of their line-ups, reflecting a growing recognition of the need for inclusivity and representation within the industry.
Diljit Singh Dosanjh will be the first Punjabi language singer to perform at Coachella[ GETTY IMAGES]
Coachella’s 2024 Line-Up: South Asian Representation and the Need for Long-Term Commitment
Coachella’s 2024 line-up has received praise for its inclusion of South Asian artists, highlighting the growing recognition of their talent. Mercury Prize nominee Joy Crookes, a South London artist of Bangladeshi descent, is set to perform, emphasizing the importance of providing a platform for musicians from minority groups. Diljit Dosanjh, a turban-wearing Bollywood actor and the first Punjabi artist to sell out London’s O2 Arena, will also grace the stage at the festival.
While these steps toward representation are encouraging, Naughty Boy remains cautious about the music industry’s commitment. He emphasizes the need for a long-term perspective, expressing his concern that South Asian artists may be viewed as a passing trend. He urges labels not to simply throw money at South Asian artists because being “brown” is currently seen as cool. Naughty Boy stresses the importance of sustained dedication and a genuine commitment to changing the industry landscape.
His sentiment reflects the necessity for lasting structural changes in the music industry, ensuring that South Asian artists are not seen as a temporary phenomenon but are given equal opportunities and support throughout their careers. This long-term commitment is crucial for fostering a more inclusive and diverse music industry that celebrates and uplifts artists from all backgrounds.
Jordan North Expresses Gratitude to Listeners and Colleagues Following Unexpected Departure from BBC Radio 1’s Drivetime Show
Radio 1 -Jordan North Expresses Gratitude to Colleagues and Listeners Following Unexpected Departure
In a heartfelt message shared on social media, Jordan North, former BBC Radio 1 drivetime show host, expressed his appreciation for his listeners and former colleagues. He specifically mentioned his “partner in crime,” Vick Hope, acknowledging how much he would miss being on air with her every day.
On Friday, Radio 1 announced that Made in Chelsea star Jamie Laing would be taking over North’s role on the drivetime show. While North did not disclose the reasons for his departure or his future plans, insiders cited by the Sun suggest that he is joining the Capital FM Breakfast team, which is owned by Global.
BBC News has reached out to North’s management and Global for comment.
Having spent a decade at Radio 1, North is a beloved presenter known for his charismatic style. In his statement, the 34-year-old expressed gratitude to his colleagues, considering many of them friends for life. He also extended his appreciation to his fellow presenters, including Greg James, Scott Mills, Clara Amfo, and Vick Hope.
Above all, North expressed heartfelt thanks to the listeners who have been incredibly supportive and made him feel welcome throughout his tenure. Their kind words and messages have touched him deeply, leaving a lasting impact on his journey in radio.
Jamie Laing will replace North on Radio 1’s Going Home show next month [GETTY IMAGES]
North’s Collaborations and Jamie Laing’s Excitement for New Role
Since 2021, Jordan North has been co-presenting the drivetime show with Vick Hope, following his previous experience hosting weekend shows like Greatest Hits on Sundays. Additionally, he co-hosts the highly popular Help I Sexted My Boss podcast alongside William Hanson.
In 2020, North also made a notable appearance on the reality TV show I’m a Celebrity… Get Me Out of Here!, where he achieved an impressive second-place finish.
As for Jamie Laing, he will now be hosting the Going Home show on Radio 1 from 15:30 to 17:45, Monday to Thursday, alongside Vick Hope. Laing, who previously filled in for Mollie King’s maternity leave on the station, expressed his excitement, describing the opportunity as “an absolute dream.”
With these changes set to take place from March 4th, both North and Laing embark on new chapters in their broadcasting careers, bringing fresh energy and enthusiasm to their respective roles.
Russian politician Alexey Navalny has died at the age of 47 [ Epsilon/ Getty Images/ Getty Images Europe ]
What Alexei Navalny’s Passing Implies for the Anti-Putin Regime Campaign
Alexei Navalny, renowned for his staunch fight against official corruption and orchestration of massive anti-Kremlin protests as President Vladimir Putin’s most formidable opponent, passed away on Friday in the Arctic penal colony where he was serving a 19-year sentence, as confirmed by Russia’s prison agency. He was 47.
The shocking news of Navalny’s demise — occurring less than a month before an election that would grant Putin another six years in power — sparked renewed criticism and outrage aimed at the Kremlin leader, known for his harsh crackdown on all forms of opposition within the country. Despite individuals laying flowers at monuments commemorating victims of Soviet-era political repressions in some Russian cities, there was no immediate indication that Navalny’s death, which deals a severe blow to the beleaguered and fractured opposition, would trigger large protests.
We are joined by Daniel Roher, director of the 2022 documentary “Navalny,” and Regina Smyth, professor of political science at Indiana University and author of “Elections, Protest, and Authoritarian Regime Stability: Russia 2008–2020,” for further discussion on the matter.
![Russian politician Alexey Navalny has died at the age of 47 [ Epsilon/ Getty Images/ Getty Images Europe ]](https://globalnewsone.com/wp-content/uploads/2024/02/image-51-1024x683.png)